Film Courage

Founder of No Film School and Filmmaker Ryan B. Koo skypes into Film Courage to discuss the online release of Goodbye Promise.  This was recorded a week before we took the plunge.  This is the first time we t...

Actors Andie MacDowell, Chazz Palminteri and Rainey Qualley talk about their work on MIGHTY FINE during the roundtable interviews at th...

Filmmaker Pablo Pappano calls into Film Courage to tell us the life altering news he received while attending film school, common experiences he’s had from online dating, why he was committed to making Clickin’ For Love, and what he has...

Filmmaker Anne Renton skypes into Film Courage to share with us how she went from physiotherapy to filmmaking. She reveals the online platform where she found the script for “The Perfect Family” that she produced & directed. She tells us h...

Filmmaker Mike Stutz skypes into Film Courage to talk to us a subject most people do not want to talk about, suicide.  He shares how suicide entered his life, his thoughts on Junior Seau, why he was compelled to make his documentary film Don’t Change Th...

Filmmaker Lucas McNelly is on Film Courage to tell us why Film Festivals are the least efficient way for filmmakers to get their film seen, mistakes filmmakers make in their crowdfunding campaigns, how A Year Without Rent has impac...

Filmmaker Marty Lang is on Film Courage to talk about where he was in his life when he wrote his debut feature film Rising Star, how his film was the first narrative feature to shoot at the Mark Twain House,...

Our finale Film Courage episode on LA Talk Radio features the return of Sheri Candler and Jon Reiss to tell us about their distribution efforts behind the film Joffrey: Mavericks of America...

Paul Yosemite Bear Vasquez, the Double Rainbow Guy, calls into Film Courage to tell us his thoughts on whether one can brainstorm and succeed in creating a viral video, he tells us where he would be today without Jimmy Kimmel

Filmmakers Steve James and Alex Kotlowitz call into Film Courage to tell us why they are drawn to stories of poverty, violence, and education.  They also tell us the reservatio...