Guest artist HANNAH HUGHES
joins ELIZABETH FULLERTON to chat about her work via Virginia Woolf's 1931 novel 'The Waves'. Not so much a story as a stream (or perhaps, more accurately, a wave) of consciousness, the book is classified as an experimental fiction. It describes the thoughts of six characters through soliloquies, whose lives all pivot around the muted Percival.
Hannah and Elizabeth then open up the artist's practice as collages, cuts and slide-throughs of shadowy forms and real edges. They track how shapes are formed from in-between spaces around objects and the body, how multiple processes distance the form from its source, the invention of visual language and the importance of fragmentations which create a sense of the whole.
ARTISTS
Symbolic Prose and Personal Politics (HELEN JOHNSON)
Closure Difficulties and Performative Reality (ELEONORA AGOSTINI)
Social Mobility and Beyond Language (MELANIE JACKSON)
Revealing Histories and Gender Variations (JULIET JACQUES)
Unwavering Sensitivity and Valuing Confusion (ANNA CLEGG)
Absent Mothers and Colonised Bodies (OLUKEMI LIJADU)
Suppressed Voices and Transformative Communities (RORY PILGRIM)
Word Play and Multiple Meanings (ANNA BARHAM)
Resistance Acoustics and Hopeful Uprising (MIKHAIL KARIKIS)
Arbitrary Traditions and Alien Observations (ROSIE GIBBENS)
Cultural Fear and Self Permission (CERI HAND)
Second Bodies and Talking Ice (SUSAN SCHUPPLI)
Disconnected Characters and Contradictory Spiritualism (SOPHIE RUIGROK)
Dark Humour and Watery Figures (NICOLA BEALING)
Slow Dancing and Fluid Encounters (FLORENCE PEAKE)
Channelling Spirits and Excluded Histories (JENNIFER HIGGIE)
Rural Reality and Complex Systems (KATIE PRATT)
Gender Entrapment and Performative Mythologies (ANNA PERACH)
CULTURE EXCHANGE - Artistic Protest and Rightful Sovereignty (PAOLA BALLA)
CULTURE EXCHANGE - Female Resilience and Bodily Playgrounds (INGRID BERTHON-MOINE)
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