Kimberley Thomas is a multi-faceted production individual currently residing in Tennessee. Originally from the UK, Kimberley strives to be a Jane-of-all-trades while having a lot of fun doing it. She has a BS in Show Production from Full Sail University in Winter Park, FL and is currently working on her Masters in Entertainment Business. Her previous positions have included working for House of Blues, Williamson County Performing Arts Center, Parx Casino, and Princess Cruises. For the past year she has been part of the media communications team for a baptist church in southeast Tennessee, focusing on the coordination and execution of their live creative productions.
Maureen Droney: Studio Engineer and Sr. Managing Director, Producers & Engineers Wing and Recording Technology, Recording Academy
Jordan Kolence: MON Engineer, Clair Global Account Executive and More!
Amelia McCloskey: Music Supervisor and CEO/Founder of AM Licensing
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Sean Quackenbush: Brandi Carlile’s FOH engineer talks 27 years of audio industry stories
Victoria Butash: FOH & Monitor Engineer
SoundGirls Living History Project with Lenise Bent Part 3 - Interviewed by Aline Bruijns
SoundGirls Living History Project with Lenise Bent Part 2 - Interviewed by Aline Bruijns
SoundGirls Living History Project with Lenise Bent Part 1 - Interviewed by Aline Bruijns
Anne-Marie Ront: Sound Designer at Ubisoft Toronto
Jon Ostrin: John Legend’s Monitor Engineer and Veteran Live Mixer
SoundGirls Living History Project - Tana Douglas - Interviewed by Juliet (Surely Lorraine)
April Tucker: Post-Production Sound & Audio Industry Writer
Kylie Snyder: audio engineer
Eve-Louise Horne: founder of PeakMusicUK and the UNHEARD Campaign
SoundGirls Living History Project: Suzanne Ciani - Interviewed by Jazmín Giolito
Zoe Thrall: Director of Operations at Hideout Recording Studios
Golden Preciado: audio engineer, musician, and worship leader
RF Panel with Brian Maddox, Karl Winkler, and Greg Simon
Willa Snow: Touring FOH/MON/Patch tech based in Central Texas
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