It's the Beginning of the End: Transmission 515, 2020 March 4
One week to go before time stops.
I guess this particular outing is a "grower." It seems forced early on; Kristin Hersh and Mogadisco don’t really go together nicely, for example, nor does Vanitas
follow smoothly. The overall vibe smacks of the insincerity and LARPing that, I feel, characterizes many of these programs from the "before" time. "I like this Africa 70 collection a lot," I say, but I don’t own it. So what is it, other than something to fill airtime in which I may not need to squat, and why should anyone else care?
I may not be the 20-year old idiot who used to play the same handful of Cocteau Twins records every week, but "growth" is overrated. I have settled into a different kind of groove . It’s feeling kind of pointless.
But it could always be worse--there’s a strange urgency to this program that I can hear in the recording. I swear it’s not memory playing tricks on me, because at a baseline level I can barely tell one current show from another at this point. I can only attribute the urgency to this show’s unfolding in real time, with a fiery crash always just around the corner. There is something more than content to these experiences—it’s the capture of a live singularity that’s important, not *what* I play per se.
Or maybe it's just because the records can skip, like the Legendary Pink Dots disc that I play here. "Thanks for sticking with us," indeed.
Since this program was broadcast, 413 days ago now, I've gone "on the air" 56 times. I have delivered 53 pre-recorded episodes on account of the pandemic. Only two more episodes "like this" to go--one to treasure, and one about which you can definitely say, "that happened."
BOMBAST playlist, 2020 March 4, 2100-2300:
Now you know our truth
It is Free
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