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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
It's not been that long since they last discussed it, but this week Jonathan and Gary return to the question of space opera, new space opera, and what contemporary SF authors might make of the concept.
Is space opera the core narrative of SF, as Jonathan suggests, or only one of them? What are its essential characteristics? Has the greater diversity of SF over the last decade changed its basic form? It seems that when the term was first coined, it clearly referred to pulp adventure tales that we popular in the 1930s. But later versions have questioned the assumptions of those old chestnuts, redefining the form for each generation.
How, for example, do current writers like Arkady Martine, Charlie Jane Anders, and Emily Tesh make use of the form? We definitely don’t settle any of these questions, but we’ll probably keep trying.
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