Opposing Apartheid on Stage: A Conversation With Historian Tyler Fleming
In this episode, Associate Professor of History, Tyler Fleming (University of Louisville) discusses his book Opposing Apartheid on Stage: King Kong the Musical (University of Rochester Press 2020).
"In 1959, King Kong, an interracial jazz opera, swept across South Africa and became a countrywide phenomenon. Its performances sold out, its LP record was widely heard, and its cast became recognized celebrities. Featuring an African composer, cast, and orchestra but predominantly white directors and producers, this interracial production seemed completely distinct from any other theatrical production in the country's history. Despite being staged over a decade after the enacting of apartheid, the interracial collaboration met widespread acclaim that bridged South Africa's racial, political, ethnic, and class fissures."
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