Inspired by Escape From Tomorrow, a deeply flawed film with a production history that's more interesting than the film itself, Joe and Ed discuss the problems that arise when you know too much about how a movie was made. Does knowing that a film was difficult to make or had a compelling back story prejudice a viewer's opinion of the work itself? Can a gimmick like Escape From Tomorrow's hurt a film by making people overly aware of its mechanics while they watch it, or is it justified by the fact that people will be drawn to it? What separates that film from Richard Linklater's Boyhood (which seemingly cannot be discussed outside of the ambitious way in which it was filmed)? These are just some of the questions that they consider as they try to figure out how much knowledge is too much. Have a listen, and feel free to weigh in on Facebook, Twitter, or by leaving us a review on iTunes. You can also listen to the episode on Stitcher.
Note: This episode has some audio issues resulting from problems with Ed's microphone. The audio is still listenable, and it's a fun, interesting discussion, but there is a background fuzziness that gets noticeably worse as the episode progresses. We apologise, and will endeavour not to repeat the mistake in the future.