With Yes, God, Yes writer/director Karen Maine is joining a conversation predominately orchestrated by male filmmakers where masturbation is either raucously championed as a lark or sheepishly whispered as serious sexy business. Her film follows the plight of a young 90s Catholic girl (Natalia Dyer) who discovers masturbation after an AOL chat turns salacious. The act is transformative. Not necessarily in just sexual terms, but in how it exposes the hypocrisy of every elder that surrounds her.
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