Episode 17: Of The Devolution of Music: (Part 2) From Classical to Modern

Matthew Arthur, my friend from down under, joins the show to discuss music and it's fall from being once written directly for God to now being written directly against Him. In this Part 2 of a 3 part series, we sample pieces from the classical, romantic and modernist eras and discuss in depth the downward progress from godliness towards worldliness.

If you have any questions about this show, Matthew would be happy to answer your questions (or hate mail) and you can reach him at: matt.roch.arthur(at)gmail.com

If you have questions about the Catholic Family Podcast you can reach Kevin at Kevin89davis@gmail.com

You can support this show via patreon: https://www.patreon.com/user?u=485690...​ Or via PayPal: paypal.me/KevinDavis971

Classical Era:

Mozart, Eine Kleine Nachtmusik K.V. 525 Allegro - Wolfgang Amadeus Mozart, The New London Soloists Ensemble, Ronald Thomas Solomon HWV 67 Act 3

The Arrival Of The Queen Of Sheba - George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner Sonata No. 23 'Appasionata' in F Minor, Op. 57 III.

Allegro ma non tropper - Ludwig Van Beethoven, Paul Lewis

Romantic Era:

Schwanengesang, D.957 Standchen 'Leise flehen meine Lieder' -

Franz Schubert, Mischa Maisky, Daria Hovora Tchaikovsky The Nutcracker, Op. 71, Act 2 No. 13

Waltz of the Flowers - Pyotr Ilyich Tchaikovsky, Sir Simon Rattle, Berliner Philharmoniker

Clair de Lune, L. 32 - Claude Debussy, Martin Jones

Serialism Example:

Vertlarte Nacht, Op. 4 - Arnold Schoenberg, Emerson String Quartet, Paul Neubauer, Colin Carr