West of Memphis and Paradise Lost were dishonorable films that conveniently left out LOADS of damning information.

This false confession narrative is central to the entire innocence campaign, but it is seriously misrepresented in the films. In actual fact, Jessie Misskelley confesses multiple times, often in private to his own defense lawyers and away from police pressure. Similarly misleading is the way the films treat Misskelley's alleged intellectual dysfunction and the circumstances surrounding his police interviews. Even when Paradise Lost makes a valid point, it is often undermined by its one-sided treatment of the facts and omission of proper context to what's happening.