Daft Punk’s first album laid the groundwork for their robot personas, with four to the floor beats, programmed drum machines, and sequenced synthesizers. On their second album Discovery, Daft Punk fully lean into the artificial – singing through robotic vocoders that correspond with their now-iconic robot helmets.
But in there is a paradox, explored on episode 2 of Listening to Daft Punk: the more machine the robots become, the more human the music sounds.
Songs Discussed
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Taylor Swift's Literary Era
Lost Notes: How Fela Kuti Found Afrobeat in LA
Berlin's Hottest Club is Rico Nasty & Boys Noize
Chasing old sounds: Djo's "End of Beginning" with Joe Keery
Cowboy Carter: This Ain't Country
Hip-hop's Sea Change at Rolling Loud
Rhapsody in Blue, Reimagined
Eternal Sunshine of Ariana Grande's Mind
How to DIY a Music Career (with Amelia Meath and David Gray at SXSW)
Is Beyoncé's music #sponcon? And other mysteries LIVE in Brooklyn
Jacob Collier unites the world
Beyoncé's Country
Adult Contemporary, but make it cool (with CHROMEO)
The Star Spangled Banger!
Brittany Howard's Chaos Theory (with Brittany Howard)
The b*tch of loving musical theater (with Bridger Winegar)
Kali Uchis takes on the world
Soundalikes: Lil Nas X and Ariana Grande
The case of the missing vocals, and other listener questions
Too Fast? We’re Curious: The sped-up remix phenomenon - ICYMI
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