We're celebrating fifty episodes of EMPIRE LINES, with three specials recorded offline and in the museum space – this time in the Turner Contemporary in Margate, for their latest exhibition Ingrid Pollard: Carbon Slowly Turning. Artist Ingrid Pollard explores her career of photographing Black experiences, beyond the city and urban environment, to the English countryside.
Since the 1980s, artist Ingrid Pollard has explored how identities of Britishness and Blackness are socially constructed, through history and the rural landscape. Drawing on British and Caribbean photographic archives, her works cross boundaries in photography, sculpture, film and sound, confronting complex, often racist histories. She discusses how pre-Windrush propaganda films inspired works like Bow Down and Very Low -123 (2021), her influences from Maya Angelou to Muhammad Ali, and exposing those Black experiences often 'hidden in plain sight'.
Ingrid Pollard: Carbon Slowly Turning runs at the Turner Contemporary in Margate until 25 September 2022.
Part of EMPIRE LINES at 50, featuring three exhibitions ahead of their final weekend. See the episode notes for links to the last tickets, and the other episodes on Malangatana Ngwenya and Althea McNish.
PRESENTER: Ingrid Pollard, Guyanese-born British artist, photographer, and researcher. She uses portraiture and traditional landscape imagery to explore social constructs like Britishness, race, and sexuality. She was Stuart Hall Associate Fellow at the University of Sussex (2018), and has been shortlisted for the Turner Prize 2022.
ART: Self Evident, Ingrid Pollard (1992).
IMAGE: 'Self Evident'.
SOUNDS: Water Features.
PRODUCER: Jelena Sofronijevic.
Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936
Support EMPIRE LINES on Patreon: patreon.com/empirelines
Ingrid Pollard: Carbon Slowly Turning (2022) (EMPIRE LINES x Invasion Ecology)
Twist, LR Vandy (2024) (EMPIRE LINES x October Gallery, Chatham Ropery)
Melted into the Sun, Saodat Ismailova (2024) (EMPIRE LINES x Fondazione In Between Art Film, Venice Biennale)
Decolonised Structures (Queen Victoria), Yinka Shonibare CBE RA (2022-2023) (EMPIRE LINES x The Serpentine Galleries, Venice Biennale)
Dreams Have No Titles, Zineb Sedira (2022-Now) (EMPIRE LINES x Whitechapel Gallery, Goodman Gallery, Venice Biennale)
Giolo’s Lament, Pio Abad (2023) (EMPIRE LINES x Ashmolean Museum)
Camera Obscura, Pia Arke (1990) (EMPIRE LINES x John Hansard Gallery, KW Institute for Contemporary Art)
Medium and Memory, Griselda Pollock (2023) (EMPIRE LINES x HackelBury Fine Art)
Lost Threads, Lubaina Himid (2021, 2023) (EMPIRE LINES x Holburne Museum, British Textile Biennale)
The Black Atlantic, Paul Gilroy (1993-Now) (EMPIRE LINES Live, with Radical Ecology)
Noko Y3 Dzen (There’s Something in the World), Serge Attukwei Clottey (2018-Now) (EMPIRE LINES Live at the Eden Project, Cornwall)
Habitat, Taloi Havini (2017) (EMPIRE LINES x Artes Mundi 10, National Museum of Wales, Chapter)
Freud: El Mago de los Sueños (The Wizard of Dreams), Vidas Ilustres Comic Book (1963)
The Madras College of Arts and Crafts, India (1850-Now) (EMPIRE LINES x The Noble Sage, Brunei Gallery)
Queer Feet, Osman Yousefzada (2023) (EMPIRE LINES x Charleston)
Learning from Artemisia, Uriel Orlow and Orchestre Jeunes Étoiles des Astres (2019-2020) (EMPIRE LINES x Eden Project)
White Zombie, Victor Halperin (1932) (EMPIRE LINES x Visions of Haiti, Barbican Cinema)
The Black Triangle, Armet Francis (1969) (EMPIRE LINES x Autograph)
Whites Can Dance Too, Kalaf Epalanga, translated by Daniel Hahn (2023) (EMPIRE LINES x Kizomba Design Museum, Africa Writes 2023)
Where Worlds Meet, Maha Ahmed (2023) (EMPIRE LINES x Leighton House)
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