In this episode, I talk about Michael Haneke's controversial and thought-provoking 1997 film, "Funny Games." It's a thriller that breaks all the rules and raises questions about the representation of violence in mass media. A family is terrorized in their vacation home by two young men who take enjoyment in brutality and degradation. Haneke uses surprising and unexpected techniques to confront the audience of his film and to make us think deeper and more critically about the violence and suffering we see in movies and television. This episode contains spoilers.
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Original logo by Dhiyanah Hassan
Full Show Notes:
All My Sources
I'm Still Here
Robert Eggers's 'The Witch' (2015)
Jean Negulesco's 'Humoresque' (1946)
Michael Curtiz's 'Mildred Pierce' (1945)
Mike Newell's 'Enchanted April' (1991)
Audrey Wells's 'Under the Tuscan Sun' (2003)
Michael Haneke's 'Amour' (2012)
Jane Campion's 'Bright Star' (2009)
Jane Campion's 'In the Cut' (2003)
Wim Wenders's 'Wings of Desire' (1988)
Joachim Trier's 'Oslo August 31st' (2011)
Julie Dash's 'Daughters of the Dust' (1991)
George Sluizer's 'The Vanishing' (aka Spoorloos) (1988)
Lynne Littman's 'Testament' (1983)
Olivier Assayas's 'Clouds of Sils Maria' (2014)
John Cassavetes's 'Opening Night' (1977)
Charles Laughton's 'The Night of the Hunter' (1955)
Theo Angelopoulos's 'Landscape in the Mist' (1988)
Jean-Pierre Melville's 'Le silence de la mer' (1949)
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