Continuing our discussion from Ep.114, we will now focus on some of the more widely known forms of the Baroque period (1600-1750 CE). We will discuss the church and chamber sonatas, the French overture, the dance suites and the fugue, just to name a few.
132-Schenkerian Analysis Pt.1
131-Melodic Dictation Pt.7-Phrygian Mode
130-Listener Compositions Pt.7
129-Perfect Pitch
127-Harmonic Progression Pt.11-Neapolitan Chord
126-Native American Music Pt.1
125-Altered Chords Pt.4
124-Instrument Care Pt.4-Woodwinds
123-Melodic Dictation Pt.6-Lydian Mode
122-Sound Engineering (feat. Raymond Calhoun)
121-Harmonic Rhythm
120-Listener Compositions Pt.6
119-Animals and Music Pt.1
118-Harmonic Progression Pt. 10 (Augmented 6th Chords)
117-Melodic Organization and Thematic Development
116-What Makes Scary Music Scary?
115-Music and Productivity
114-Form and Analysis Pt. 4-Rondo
113-Melodic Dictation Pt.5-Aeolian Mode
Create your
podcast in
minutes
It is Free
Irish Songs with Ken Murray
Immediately Kinfolk
Turned On
Resident by Hernan Cattaneo
Markus Schulz presents Global DJ Broadcast