Nick Drnaso, acclaimed author of Sabrina, is back with Acting Class, his third book on Drawn & Quarterly. A tapestry of disconnect, distrust, and manipulation, Acting Class brings together 10 strangers under the tutelage of John Smith, a mysterious and morally questionable leader. The group of social misfits and restless searchers have one thing in common: They are all out of step with their surroundings and desperate for a change.
With mounting unease, the class sinks deeper into Smith’s lessons, even as he demands increasing devotion. When the line between real life and imagination begins to blur, the group’s fears and desires are laid bare. Exploring the tension between who we are and how we present, Drnaso cracks open his characters’ masks and takes us through an unsettling American journey.
Like Sabrina—the first graphic novel short-listed for the Man Booker Prize—Drnaso’s latest offering is an extremely sharp study of our everyday existence and how we live. His minimalist comic-drawing style is nevertheless awash in a cinematic haze of melancholy and the color palette is hued in a realism that is uniquely his.
A friend handed me Sabrina, several years ago, knowing I was somewhat of an outsider in the realm of underground comic culture, telling me, “You will love the book in the same way you love certain novels.” And he was right.
While Drnaso is revered all over the world for his bleak honestness and sly, dark humor, he grew up in the suburbs of Chicago. Although we are of different generations, the subtlety of his style is familiar to me as a fellow Midwesterner and Chicagoan.
Notably, this is Big Table’s first episode centered around a graphic novel. It’s certainly a change from our focus on nonfiction books, but Drnaso’s storytelling pulls so effortlessly from real life that one feels his characters are meta comics versions of people encountered in our everyday lives.
Here's my conversation with Nick Drnaso discussing his new book, Acting Class.
Music by Japan
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