In our April Special Subject, Part 1 of our look at the films of Samuel Goldwyn, we discuss Dark Angel (1935), These Three (1936), Dodsworth (1936), and Wuthering Heights (1939), a selection heavy on Dave favourites Merle Oberon, William Wyler, and Gregg Toland. We ask in what sense these are "quality" films, and in what ways they escape our expectations of that category, calling attention to the theme of psychological violence in These Three and Wuthering Heights and the role played by gender double standards in the tragedies of Dark Angel and Dodsworth. And in Fear and Moviegoing in Toronto we discuss Terry Zwigoff's Ghost World (2001) and draw a surprising conclusion about it.
Time Codes:
0h 00m 35s: Brief Introduction to Samual Goldwyn
0h 12m 18s: THE DARK ANGEL (1935) [dir. Sidney Franklin]
0h 31m 44s: THESE THREE (1936) [dir. William Wyler]
0h 54m 40s: DODSWORTH (1936) [dir. William Wyler]
1h 09m 24s: WUTHERING HEIGHTS (1939) [dir. William Wyler]
1h 26m 12s: Fear and Moviegoing in Toronto – Ghost World (2001) by Terry Zwigoff
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* Listen to our guest episode on The Criterion Project – a discussion of Late Spring
* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s
* Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)
* Read Elise’s piece on Gangs of New York – “Making America Strange Again”
* Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!
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Acteurist Oeuvre-view – Lilli Palmer – Part 13: THE PLEASURE OF HIS COMPANY (1961) & THE COUNTERFEIT TRAITOR (1962)
Hollywood Studios Year-by-Year – 20th Century-Fox – 1946: THE DARK CORNER & THE RAZOR’S EDGE
Acteurist Oeuvre-view – Lilli Palmer – Part 12: BUT NOT FOR ME (1959) and CONSPIRACY OF HEARTS (1960)
Hollywood Studios Year-by-Year – Warner Brothers – 1946: DEVOTION & NIGHT AND DAY
Acteurist Oeuvre-view – Lilli Palmer – Part 11: LES AMANTS DE MONTPARNASSE (1958) and MADCHEN IN UNIFORM (1958)
Hollywood Studios Year-by-Year – MGM – 1946: TWO SMART PEOPLE and A LETTER FOR EVIE
Acteurist Oeuvre-view – Lilli Palmer – Part 10: TEUFEL IN SEIDE (1956) and LA VIE À DEUX (1958)
Hollywood Studios Year-by-Year – Paramount – 1946: MISS SUSIE SLAGLE’S and THE BLUE DAHLIA
Hollywood Studios Year-by-Year – Universal – 1945: THE SUSPECT & LADY ON A TRAIN
Acteurist Oeuvre-view – Lilli Palmer – Part 9: MAIN STREET TO BROADWAY (1953) and FEUERWERK (1954)
Hollywood Studios Year-by-Year – RKO – 1945: JOHNNY ANGEL & CORNERED
Valentine’s Special Subject – MARNIE (1964) & LA CAPTIVE (2000)
Hollywood Studios Year-by-Year – 20th Century Fox – 1945: FALLEN ANGEL & LEAVE HER TO HEAVEN
Acteurist Oeuvre-view – Lilli Palmer – Part 8: THE LONG DARK HALL (1951) and THE FOUR POSTER (1952)
Special Subject- Silent Ozu Sampler – TOKYO CHORUS (1931), I WAS BORN BUT… (1932), and PASSING FANCY (1933)
Acteurist Oeuvre-view – Lilli Palmer – Part 7: MY GIRL TISA (1948), NO MINOR VICES (1948) and HANS LE MARIN (1949)
Hollywood Studios Year-by-Year – Warner Brothers – 1945: SARATOGA TRUNK & DANGER SIGNAL
Acteurist Oeuvre-view – Lilli Palmer – Part 6: CLOAK AND DAGGER (1946) and BODY AND SOUL (1947) + Fear and Moviegoing in Toronto, Ernst Lubitsch at TIFF Cinémathèque, Part 3
Special Subject – Have Yourself a Monty Woolley Christmas – THE MAN WHO CAME TO DINNER (1942), LIFE BEGINS AT EIGHT-THIRTY (1942) and THE BISHOP’S WIFE (1947) + Fear & Moviegoing in Toronto
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