Since its start in 1978, The Sundance Film Festival has served as both an exhibition for the best independently produced films from around the world, and, as the first major film festival of the year, an early predictor of the year’s movie trends. To get the story of the films and themes that shaped this year’s festival, Rob and Geoff speak with IndieWire’s Senior Film Critic, David Ehrlich, who just finished up a week in Park City.
Ehrlich talks about the most buzzed about films from this year’s slate (including Josephine Decker's Madeline's Madeline, Boots Riley’s Sorry to Bother You, and Jennifer Fox’s The Tale), why the absence of an “early awards frontrunner” isn’t a bad thing, and Netflix and Amazon’s quiet week.
He also discusses female filmmakers dominating the festival’s major awards, and his favourite films from his year’s covering Sundance.
Ep. 103: Ilana Glazer and Abbi Jacobson on the Life and Legacy of ‘Broad City’
Ep. 102: How is France Keeping its Arthouse Cinemas Packed?
Ep. 101: Bing Liu on the Making of ‘Minding the Gap’
Ep. 100: Can a Film Preserve an Endangered Language?
Ep. 99: How the Oscars Addressed its Diversity Problem
Ep. 98: What We’re Looking Forward to in 2019
Ep. 97: Year in Review (Part 2)
Ep. 96: Year in Review (Part 1)
Ep. 95: How Will Blockchain Transform the Film Industry?
Ep. 94: Why Netflix Set Its Sights on Cinemas
Ep. 93: What is the State of Independent Film in 2018?
Ep. 92: Zoe Kazan on Writing, Westerns, and Working With The Coen Brothers
Ep. 91: How ‘Bodied’ Director Joseph Kahn Made This Year’s Most Subversive Film
Ep. 90: How Sam Esmail Took ‘Homecoming’ From a Hit Podcast to a Hit TV Show
Ep. 89: Why It’s Finally Time to Take Horror Seriously
Ep. 88: How Dee Rees Went From Film School to Oscar Nominee in a Decade
Ep. 87: How David Gelb Revolutionized Food Documentary
Ep. 86: How to Build a Career in an Emerging Film Market
Ep. 85: What are the Biggest Challenges Facing African Cinema?
Ep. 84: Facebook Enters the World of Prestige TV With ‘Sorry For Your Loss’
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