British historian and philosopher R.G. Collingwood said, "History is for human self knowledge, the only clue to what men can do is what man has done. So with an ongoing pandemic and theaters shut down for the foreseeable future, what can history teach us about dealing with such hardships and what to expect going forward? That’s what we’ll be exploring in this episode with Professor Charlotte Canning, Ph.D, a theatre and performance historian at the University of Texas at Austin.
Topics discussed in this epiosde:
Actor's Equity First Strike - American Theatre
Katherine Anne Porter’s Pale Horse, Pale Rider
Shakespeare and the Plague - The New Yorker
"Finding Hope in Theatre That Hasn’t Happened Yet: How to Survive a Global Pandemic" - Sight Lines
Is Merchant of Venice Anti-Semitic? - Smithsonian Magazine
Our Students Are Depending on Us - The Atlantic
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All music underscoring and segues by Blue Dot Sessions, except for WINMI intro music by Patrick Oliver Jones and "Smooth Actor" by Podington Bear. All licensed under an Attribution-NonCommercial License.
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