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In this episode, John heads to Miloco Studios to catch up with Charlie Puth about how he wrote, recorded and produced the album ‘CHARLIE’.
Thinking back to the moments that sparked the initial ideas for each of his songs, Charlie talks us through how he translates the almost fully finished versions from his head to the DAW. From using auto-tune to satisfy his perfect pitch, to the simple chorus tricks he uses to help it all punch.
As well as looking back to his early days on YouTube and social media, Charlie discusses how the platforms have evolved and their impact on the way he writes, allowing him to include so many people in his music making process.
Listen to find out what Monday would sound like if it was a song, which of his viral sounds was faked, and how to play guitar like you’re a pianist.
Tracks discussed: Light Switch, That’s Hilarious, Loser
LINKS TO EVERYTHING TAPE NOTES
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Listen to ‘CHARLIE’ here.
Intro Music - Sunshine Buddy, Laurel Collective
GEAR MENTIONS
Waves NS1 Noise Suppressor
iZotope VocalSynth
Soundtoys Decapitator
U-he Diva
Antares Auto-Tune
Native Instruments Kontakt Pre-Bass
Native Instruments Kontakt Church Organ
LFO Tool
Valhalla Reverb
Oberheim Synth Digital
Thomas Penton Sample Pack
Oliver Sample Pack
Roland D-50 Synth
Roland TR-808
Roland Juno 60
Splice
Casio Keyboard
Rhodes
OUR GEAR
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TAPE NOTES TEAM
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TN:137 IDLES, Kenny Beats & Mikko Gordon
Reissue | TN:18 The 1975
TN:136 St. Vincent
TN:135 Bob Vylan & Jonny Breakwell
TN:134 The Libertines
TN:133 Jack Antonoff (Bleachers)
Reissue | TN:16 Alt-J & Charlie Andrew
TN:132 Jacob Collier
TN:131 Declan McKenna
Reissue | TN:12 Glass Animals
TN:130 100 gecs
TN:129 Matthew Herbert
TN:128 Fall Out Boy & Neal Avron
TN:127 Bombay Bicycle Club
TN:126 Royal Blood
TN:125 FIZZ & Pete Miles
TN:124 Olivia Dean & Matt Hales
TN:123 Bakar & Zach Nahome
TN:122 James Blake
TN:121 Disclosure
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