Russell Crowe makes another pitch for an Oscar as he plays Herman Goering, on trial for his life. But is he let down by a film that is determined to both show and tell? Does he have the silliest last line in history? Is this, fundamentally, a crime against cinema? We're joined by Henry Dyer of the Guardian, who has become so obsessed with why this film doesn't work that he's read the screenplay. And Rob and Duncan can't stop thinking of different stories the makers could have told instead.Next week, by...
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