Disneyland on a Deadline

March 1, 1951. Two Texas horse trainers sit down to lunch with Walt Disney. They assume he wants to use their animals in a movie. Instead, Walt leans in and tells them about something that doesn’t exist yet. Not a carnival. Not an amusement park. Something movie-like in the real world. And if he’s going to build it, he’ll need horses.

At that moment, Disneyland is just an idea in Walt’s head. But within a few years, he’ll clear 160 acres of orange groves in Anaheim and attempt to build that dream in barely twelve months. The budget will balloon. The rivers will drain into the soil. The rides will be welded together overnight. And Walt will stake his company — and his personal fortune — on opening the gates on time.

Why was Disneyland such a gamble? And how did Walt essentially invent a whole new form of live entertainment?  

Special thanks to our guests: Leslie Iwerks,  director of Disneyland Handcrafted; Mark Catalina, producer of Disneyland Handcrafted;  Becky Cline, director of the Walt Disney Archives; and Tom Fitzgerald, chief storytelling executive and senior creative executive  at Walt Disney Imagineering.

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