In this episode, John heads to Black Barn Studios to chat with Paul Weller along with producer Stan Kybert and engineer Charles Rees, about how they wrote, recorded and produced the album ‘On Sunset’.
From recycling and resampling old tunes to recording new ideas on his phone, Paul reflects on his years of endless experimentation in the studio, sharing his thoughts on what makes a good song along with the decisive musical elements that reinforce meaning.
Revisiting different versions of the tracks, we hear the trio breaking down the different mic setups and the vintage gear they used to recreate the sound of an era.
Listen to find out why Paul wrote a song on his kids Casio keyboard and how to play a Hammond with a screwdriver.
Tracks discussed: Mirrorball, More, On Sunset
Listen to 'On Sunset' here.
'On Sunset' - A Polydor Records Release; Solid Bond Productions Limited, under exclusive license to Universal Music Operations Limited
Intro Music - Sunshine Buddy, Laurel Collective
GEAR MENTIONS
Neumann U87
Coles 4038 Ribbon Mic
Sontronics Mercury
Izotope Stutter Edit
Hofner Club Bass
Hammond Keyboard
Vacuvox
Fairchild 660 & 670 Compressors
Custom Neve Console
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TN:137 IDLES, Kenny Beats & Mikko Gordon
Reissue | TN:18 The 1975
TN:136 St. Vincent
TN:135 Bob Vylan & Jonny Breakwell
TN:134 The Libertines
TN:133 Jack Antonoff (Bleachers)
Reissue | TN:16 Alt-J & Charlie Andrew
TN:132 Jacob Collier
TN:131 Declan McKenna
Reissue | TN:12 Glass Animals
TN:130 100 gecs
TN:129 Matthew Herbert
TN:128 Fall Out Boy & Neal Avron
TN:127 Bombay Bicycle Club
TN:126 Royal Blood
TN:125 FIZZ & Pete Miles
TN:124 Olivia Dean & Matt Hales
TN:123 Bakar & Zach Nahome
TN:122 James Blake
TN:121 Disclosure
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