In the past, documentary cinematography has been in the shadow of narrative feature's, overlooked because of certain, perhaps unfair assumptions about the craft.
Well, that is no longer the case...
In the past, documentary cinematography has been in the shadow of narrative feature's, overlooked because of certain, perhaps unfair assumptions about the craft.
Well, that is no longer the case since the American Society of Cinematographers, as of this year, has an award for Outstanding Achievement in Non-Fiction Filmmaking.
And cinematographers, https://www.imdb.com/name/nm4426963/ (Fejmi Daut) and https://www.imdb.com/name/nm4000308/ (Samir Ljuma), of the Academy Award nominated, https://honeyland.earth/ (Honeyland), were the recipients of that inaugural award. (Not to mention a host of other cinematography awards!)
And so we have today's episode which is entirely dedicated to the craft of documentary cinematography!
Topics Discussed
host Chris G. Parkhurst talks about what makes a good documentary cinematographer and where we can find them
what it's like working as a two person cinematography team
how the shooting style changed dramatically midway into filming due to an unforeseen shift in story
working without power in rural Macedonia
achieving the perpetual golden hour look of Honeyland
Additional Resources
FREE DOWNLOAD OF HONEYLAND CONVERSATION PART TWO
As mentioned in the show, there is much more to my conversation with cinematographers, Fejmi Daut and Samir Ljuma. Too much to put into a single show!
To listen to the second part of that conversation head over https://thedocumentarylife.com/honeyland/ (HERE) for your free download!
Trailer for Honeyland
https://www.youtube.com/watch?v=B27ORUHlp6E
Finding the star of Honeyland
https://www.youtube.com/watch?v=dj9mT91fe64
Honeyland at DOCNYC
https://www.youtube.com/watch?v=lJo1dvoo67k
Sponsors & Thank YousMusic Vine 15 PERCENT OFF!Music Vine
https://musicvine.com/ ()
Thank you to music licensing platform, https://musicvine.com/ (Music Vine) for contributing the wonderful music that we’ve used in this week’s episode.
We’ve used many music licensing platforms over the years for commercials, corporate videos, and documentaries and these guys are definitely different.
Their music catalogue is truly fresh, diverse, full of character, their search engine is as straight forward and user friendly and their licensing fees? Unlike anywhere else we have come across.
If you need any music for your doc project, we can honestly recommend https://musicvine.com/ (Music Vine).
And make sure to use our promo code to get an additional 15 percent off of any subscription!!
PROMO CODE: doclife15
Continuing the Discussion with The D-Word
https://d-word.com/ ()
Today's episode is only the beginning of the conversation. Now it's time to have your voice heard, #doclifer!
So where can you do this?
THE D-WORDWHAT IS THE D-WORD
The D-Word began in 1996 as a series of online journal entries by filmmaker https://www.d-word.com/people/dbblock (Doug Block) depicting the joy and angst of making and selling his feature documentary, https://web.archive.org/web/20010204073200/http://www.d-word.com/homepage/index.html (Home Page). In the words of Mr. Block, "it was meant to inform, inspire, humor and depress the hell out of working or aspiring documentary filmmakers, or anyone else interested in the filmmaking process, for that matter!"
We had Doug on the show way back in https://thedocumentarylife.com/podcast/105-doug-block-and-the-d-word/ (EPISODE) #105, where he discussed those early days working as an independent documentary filmmaker. And how this would lead him to creating the first incarnation of The D-Word.
The D-Word has long-since evolved into a virtual community and is now the largest, longest-running one of its kind, currently numbering more than 19,000 members from 147 countries.
Its focus is now on hosting free discussions on documentary film and production and leading a documentary life. Sound familiar?
Get started with The D-Word today,...
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