Director Kevin Phillips (Super Dark Times, Hulu's Monsterland) and screenwriter Ben Collins (Super Dark Times, The Night House) discuss their own origin story, how the nostalgic 90's era thriller Super Dark Times came to be, why napping is the ultimate weapon of the professional screenwriter and just when a Director deserves the infamous "A Film By" credit. Plus, forcing Ben to spill the beans on just how much of that $12 million dollar Sundance payday he might see, what's happening with the new Hellraiser film and why Paul Thomas Anderson's The Master is their film of choice for this week's feature-length audio commentary.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-side-track/supportWhat-a Speed Round (What Are We Talking About?)
Trailer: What Are We Talking About?
Alex Blagg: The Interview
Alex Blagg Watches: MacGruber (Audio Commentary)
Cinco Paul & Ken Daurio Watch: Willy Wonka & the Chocolate Factory (Audio Commentary)
Cinco Paul & Ken Daurio: The Interview
Ed Burns Watches: Tender Mercies (Audio Commentary)
Ed Burns: The Interview
John Hughes Watches: Ferris Bueller's Day Off (Audio Commentary)
Jay Duplass Watches: Rocky (Audio Commentary)
Jay Duplass: The Interview
Javier Grillo-Marxuach Watches: Time Bandits (Audio Commentary)
Javier Grillo-Marxuach: The Interview
Sarah Megan Thomas Watches: The Social Network (Audio Commentary)
Sarah Megan Thomas: The Interview
Moisés Zamora Watches: The Others (Audio Commentary)
Moisés Zamora: The Interview
Kevin Phillips & Ben Collins Watch: The Master (Audio Commentary)
Frank Oz Watches: Touch of Evil (Audio Commentary)
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