Not A Diving Podcast with Scuba
Music:Music Interviews
What does it mean to run an underground dance label for twenty years? Admittedly I should have the answer to this question but in reality every label is different and every story is different too.
Damian Lazarus launched Crosstown Rebels in 2003, having previously worked at FFRR and run City Rockers with Phil Howells. It quickly became one of the most important house labels and has released an enormous amount of significant and generally great music over the years.
He also runs the Get Lost party in Miami and Day Zero near Tulum, and we actually spend most of the conversation discussing these events and Damian's experiences at Burning Man which partly inspired them.
We also discuss the changing nature of the scene, the importance of certain substances, and hedonism generally, as well as what it means to run a label twenty years after having started one.
This is a great episode and you're definitely going to love it.
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
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#117 Quinn (Paranoid London): Anonymity and acid house, "We'd always press fewer copies than we had preorders for!"
#116 Ceri: Technique, vinyl, and Ibiza "You have to put your soul into the music"
#115 Cian Ó Cíobháin: 25 years of underground music on Irish public radio
#114 Laurent Garnier: Looking forward, "techno is about tomorrow, not yesterday"
#113 Luke Slater: What is techno? "Sometimes nothing happens... and that's the point"
#112 Doc Scott: DnB from Rage and Metalheadz to now, "it's all about the energy it creates"
#111 James Ellis Ford: producing Depeche Mode, Blur, and Pet Shop Boys, "sometimes it feels totally surreal"
#110 Steve Davis: Snooker, fame, and modular synths, "I was sh*tting myself!"
#109 Chloé Caillet: Circo Loco and classical training, "I had to unlearn all that theory"
#108 Nathan Micay: Making music for Netflix, "They said - we need this by next week!"
#107 Monty Luke: From the Dotcom Bubble to Planet E, "That was a wild time...!"
#106 Alex Paterson (The Orb): Inventing the chilll out room, "We knew what we were doing!"
#105 T.Williams: Tales from the UK Underground, "I was just making tunes and cutting dubplates"
#104 Danny Daze II: Spatial audio and the return of NFTs, "I'm future-proofing my work"
#103 Fracture: Pirate radio and the Nuum, "it was a community-based thing"
Dave Clarke (redux): Techno and politics, "people are scared to speak out"
dBridge (redux): A life in drum n bass, "I make music as therapy"
#102 Machine Woman: Studio efficiency and Tech House, "I'll still be making music whether RA writes about me or not""
#101 DJ Paulette: The Hacienda and gay clubbing, "The music is better and the DJs are better!"
#100 Holiday Special
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