EP36 - Whether you have or haven't seen the 1983 film Scarface, you'll agree it has its place in pop culture. It's referenced in film, TV, and music; you might know lines from the movie ("Say hello to my little friend!"), and may have seen the infamous movie poster on a college dorm wall or two. But let's talk about how the film, which premiered only three years after the 1980 Mariel Boatlift, showed all Cuban political refugees as criminals.
Art by Jeremy Ferris. New episodes released the
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A Bit of a Break
Joker: Why Make a Sympathetic Shooter?
Harry Potter, Representation, and Intention
When It Rains, It Pours
ESG, Sampling, and Sexism
The One Where We Talk About Friends
Cultures Aren't Costumes
Haunted Halloween: Dracula and the Eugenics Movement
Haunted Halloween: The Exorcist and the Middle Eastern Demon
Haunted Halloween: White Zombie
Come to Sound Education!
Haunted Halloween: Candyman and the Fear of "Urban Society"
Sam Smith, the Associated Press, and They/Them
I Love Lucy: The All American Girl and "The Latin"
The Queer Coded Villain and Sounding Gay
Breakfast at Tiffany's, Yellowface, and Whitewashing
The "Greatest" Showman?
From the Heart to the Rind: The Watermelon Stereotype
Game of Thrones: Race and Dany's White Savior Complex
Game of Thrones is Terrible to Women
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