In Minute 103 of The Whole Shebang, Jenny and Mike look at Arthur’s very sexful way of taking off his shirt and how difficult the “crossed-arm” method is to pull off smoothly, Curt’s brief flashback (or flashforward) as Arthur and Curt come together, and Arthur’s taking mescaline before the evening’s events and how many hallucinogens, like DMT, simulate alien contact, and how Jenny is a true believer in the UFO and its glitterdust sprinkling down over Arthur and Curt, Arthur and Curt’s lovemaking and how Curt compares it to being onstage, how this sequence breaks down the boundary in a quite literal sense between audience and artist, how the groupie experience allowed a girl in the 1970s to touch the feeling of being onstage, how we as the audience are watching Arthur, and how the identities of our protagonists are being melded and boundaries are breaking down.
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The Whole Shebang Minute 120: Byeee
The Whole Shebang Minute 119: Any Similarity to Persons Living or Dead is Highly Intentional
The Whole Shebang Minute 118: Microfiche vs. Swordfights
The Whole Shebang Minute 117: I Shouldn’t Have Laughed At The Clapper Loader
The Whole Shebang Minute 116: Grips and Gaffers and Boys, Oh My!
The Whole Shebang Minute 115: Fade Away Never
The Whole Shebang Minute 114: The Curtain Call
The Whole Shebang Minute 113: JENNY’S THEORY!!!! OMG.
The Whole Shebang Minute 112: All Kinds of Shenanigans
The Whole Shebang Minute 111: Plosive and Penultimate
The Whole Shebang Minute 110: Changing Worlds, Changing Selves
The Whole Shebang Minute 109: The Curt Wild Zoom
The Whole Shebang Minute 108: Don’t Be A Dick At The Wrap Party
The Whole Shebang Minute 107: Indie Bands Don’t Revolve
The Whole Shebang Minute 106: A Tartan Rug and a Thermos of Bovril
The Whole Shebang Minute 105: Phantom of the Opera vs. Close Encounters
The Whole Shebang Minute 104: Romantic Folderol
The Whole Shebang Minute 102: Fan-tasy
The Whole Shebang Minute 101: Is It Carthur or Arurt?
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