This summer, the most anticipated tour (in close contest with Taylor Swift) is Beyoncé’s tour for her seventh studio album, “Renaissance,” which came out in 2022. Her previous record “was about the turbulence of [her] marriage and was in some ways a monument to marriage as an institution,” The New Yorker’s music critic Carrie Battan tells David Remnick. “Renaissance”—a homage to club music and queer culture—“is about breaking free of all of those chains. It’s about going to the club, and quitting your job and dancing and experiencing the ultimate freedom.” Battan talks through her favorite tracks on the record.
The Trans Athletes Who Changed the Olympics—in 1936
Cécile McLorin Salvant Finds “the Gems That Haven’t Been Sung and Sung”
Ilana Glazer on Motherhood and Friendship, On- and Off-Screen
Love Is Blind, and Allegedly Toxic
Miranda July’s New Novel Takes on Marriage, Desire, and Perimenopause
Robert F. Kennedy, Jr., Isn’t Going Away
How a Tech Executive Lobbied Lawmakers for the TikTok Ban
Wired’s Katie Drummond: The TikTok Ban Is “Rooted in Hypocrisy”; Plus, Hannah Goldfield on Culinary TikTok
Robert F. Kennedy, Jr., Could Swing the Election. Who Should Be More Worried—Biden or Trump?
Israel, Gaza, and the Turmoil at One American University
Georgia’s Brad Raffensperger, Who Refused to “Find” Votes for Donald Trump, Prepares for Another Election
Jerry Seinfeld on Making a Life in Comedy (and Also, Pop-Tarts)
Judi Dench on Bond and Shakespeare
Jonathan Haidt on the Plague of Anxiety Affecting Young People
Maya Hawke on the Fear of “Missing Out,” and Jen Silverman on “There’s Going to Be Trouble”
How a Republican and a Democrat Carved out Exemptions to Texas’s Abortion Ban
The Film Critic Justin Chang on What to See in 2024
The Attack on Black History, with Nikole Hannah-Jones and Jelani Cobb
Rhiannon Giddens, Americana’s Queen, on Cultivating the Black Roots of Country Music
Alicia Keys Returns to Her Roots with Her New Musical, “Hell’s Kitchen”
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