At a dinner party Substack hosted in San Francisco last week, I found myself sitting next to Kevin Kelly, the founding executive editor of Wired magazine and former publisher of the Whole Earth Review. We were talking about the capital of the world. It no longer felt that New York was it, I was telling him, though it had not been replaced by another physical city either. Rather, the world now had only one, digital, capital. If you made it there, you’d make it anywhere.He agreed, with one amendment. “...
At a dinner party Substack hosted in San Francisco last week, I found myself sitting next to Kevin Kelly, the founding executive editor of Wired magazine and former publisher of the Whole Earth Review. We were talking about the capital of the world. It no longer felt that New York was it, I was telling him, though it had not been replaced by another physical city either. Rather, the world now had only one, digital, capital. If you made it there, you’d make it anywhere.
He agreed, with one amendment. “Silicon Valley is the place least resistant to new ideas today,” he said, which was the original point of the world capital as a destination. I had recently interviewed Nadia Bolz-Weber for this podcast, and her words were still fresh in my mind. I imagined her response to this would be, “The problem is, it is also the place most resistant to old ideas.”
Nadia embodies the old and the new. She is a striking figure: tall and lean, with a thick mane of salt-and-pepper hair and a penetrating blue gaze. She is covered in colorful tattoos of Christian mythology and exudes the warmth of wisdom. She practices one of the oldest traditions, that of the preacher. The texts she “wrestles with,” as she puts it, are centuries-old. Her task is to bring them to the here and now, to the self. They become personal to her because, in order to interpret them, she must first study herself anew.
Nadia has been an alcoholic, a standup comic, and a sinner. She has been a pastor, a prison preacher, and a saint. She talked about what these qualifiers mean to her, how she understands the concept of faith, the relationship between poetry and prayer, and the danger of innovating without consideration for tradition.
One of her observations echoed what Suleika Jaouad and Diego Perez emphasized during their own exchange a couple of weeks ago, when they spoke about the significance of honesty in writing. Nadia reinforced that message when she said:
“Some people make a living off of being sort of influencers, who say things that might kind of be true, but they never feel honest. They feel like they’re ignoring a darker side of our hearts. I always want somebody to really acknowledge the sort of more shadowy contours of my human heart, and then talk about where some grace or hope or forgiveness is. Because I feel like when those things are ignored, it just fills me a little bit with despair, even though they’re telling me something really chipper. I like it when writers or preachers are willing to be honest about their own struggles in a real way.”
This also brought to mind the conversation that Mike Solana and Ted Gioia had here on the Active Voice. As Ted put it, “There’s been an enormous crisis of trust, and certain voices are emerging and succeeding because they’ve been able to parlay that trust.”
What connects all of them is their allegiance to honesty, and the obligation they feel to deliver it to their audience.
https://thecorners.substack.com/
Show notes
Subscribe to The Corners by Nadia Bolz-Weber on Substack
Find Nadia on Twitter and Instagram
Nadia’s books
Francis Spufford’s book Unapologetic
“Introduction to Poetry” by Billy Collins
[02:00] The House for All Sinners and Saints
[06:18] The church after the pandemic
[10:18] The process of preaching to oneself
[12:54] Finding the Good News
[15:29] Nadia’s regrets
[21:00] On resurrection
[25:00] When we call out to God
[29:40] Being clear-eyed about being human
The Active Voice is a podcast hosted by Hamish McKenzie, featuring weekly conversations with writers about how the internet is affecting the way they live and write. It is produced by Hamish McKenzie, with audio engineering by Seven Morris, and content production by Hannah Ray. All artwork is by Joro Chen, and music is by Phelps & Munro.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit post.substack.com
