MRS. AMWORTH, THE CURSE OF MAXLEY: A Chilling Classic Horror Story by E.F. Benson

In the quiet village of Maxley, where shadows stretch long and the dead refuse to rest, an unsuspecting community is about to uncover a horror that has slept for centuries.

EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/mrsamworth

READ or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/mr2n9c8m

FEATURED STORIES IN THIS EPISODE: “Mrs. Amworth” by E.F. Benson *** “The White Death” by Christina Skelton *** “My Old Home Videos Showed Me a Life I Never Lived” by Richard Saxon

CHAPTERS & TIME STAMPS (All Times Approximate)…
00:00:00.000 = Show Open
00:01:28.161 = “The White Death” by Christina Skelton
00:06:24.330 = “My Old Home Videos Showed Me a Life I Never Lived” by Richard Saxon ***
00:26:30.035 = “Mrs. Amworth” by E.F. Benson ***
01:03:48.287 = Show Close
*** = Begins immediately after inserted ad break

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*No AI Voices Are Used In The Narration Of This Podcast*

SOURCES and RESOURCES:
“Mrs. Amworth” by E.F. Benson: https://tinyurl.com/yyvqdwub
“The White Death” by Christina Skelton: https://tinyurl.com/yxjcujwx
“My Old Home Videos Showed Me a Life I Never Lived” by Richard Saxon: https://tinyurl.com/y4l9zzgq
(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)

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Originally aired: August 20, 2020

Weird Darkness returns with a night of urban legend, found-footage horror, and classic vampire fiction, moving from a South American death-spirit to a stack of home videos that shouldn't exist to an English village with a very sociable widow.
It opens with "The White Death" by Christina Skelton, told by a narrator sitting at his computer waiting to die. A friend's aunt, drunk the night before, finally explained how the boy's parents had died: they were doing mission work in a small South American country when a terrified man burst into the mission hospital claiming a Muerta blanca — the White Death, the White Devil Girl — had killed his sister and was coming for him. She was a girl with dead black eyes that wept bile, who moved without moving her legs, and who knocked on the doors and mirrors between her and her victim: once for the skin she uses to patch her own rotting flesh, twice for the muscle, three times for bones she carves into knives, four for the heart she wears around her neck, and on through the teeth, the eyes, and finally the soul. She can only find you if you saw her kill someone, or if someone tells you about her. The missionaries phoned the aunt about it that same night, and were found in the morning skinned and dismembered, their bodies covered in small, child-like handprints. The aunt was murdered the night she told the story, the friend died on the phone while the narrator listened to the door come off its hinges, and now the knocking has started on the narrator's own door — twenty-eight times on the front door, twenty-eight on the hall mirror, twenty-eight on the bedroom door.
From there the episode turns to "My Old Home Videos Showed Me a Life I Never Lived" by Richard Saxon, from Creepypasta.com. Adam Davies, thirty-something and unremarkable, digs a box of VHS tapes out of his parents' basement hoping nostalgia will shake loose whatever ambition he lost. The first tape looks like his childhood exactly as he remembers it, except for a dog named Doug he never owned and cannot recall, and except for the ending: a stranger with a camera follows him out of a bar on October 7th, 2006, and films him burning alive in a car wreck. Every tape after it does the same thing. His grandfather dies in 1999 instead of 1993, his first car changes from black to red, and the film always closes on Adam dying while an unspeaking cameraman watches — shot in the throat in an alley in 2002, drowned in a submerged car in 2004, bleeding out at the bottom of a cliff in 2005. His parents deny the tapes exist; their own footage, digitized and locked in a fireproof safe, ends with no deaths at all. Then Adam finds one labeled 1985 to 2021, watches his mother die in a hospital bed on December 17th, 2020, and watches himself open his own arm with a pocket knife in a motel room a month later while the cameraman films. He hands everything to the police, locks his doors, covers his windows — and an hour later his father calls to say his mother has collapsed in the bathroom.
The episode closes with Darren narrating E.F. Benson's 1922 vampire tale "Mrs. Amworth", set in the Sussex village of Maxley. Mrs. Amworth, the widow of an Indian civil servant who died at Peshawar, arrives to enliven a sleepy street of Georgian houses with luncheons, piano playing, and games of piquet — charming everyone except Francis Urcombe, a former Cambridge physiology professor who abandoned his chair to study vampirism and the other borderland subjects his colleagues had filed away as superstition. A plague of night-flying gnats bites the villagers on the throat, a gardener's son wastes away with two small punctures on his neck and no inflammation, and Urcombe keeps watch at a twenty-foot-high window where Mrs. Amworth's face appears in the dark. Her maiden name was Chaston — the name on the gravestones in Maxley's disused churchyard, and the name of the woman blamed for an outbreak of vampirism there three centuries earlier. Death does not end her, and the story finishes at dawn in the cemetery with a pick, a shovel, a coil of rope, and a coffin lid slid aside.