Who’s afraid of realism? ‘Seize the Day’ by Saul Bellow

‘Seize the Day’ was published in 1956, but its grammar of realism was barely changed from that deployed in ‘Madame Bovary’ exactly a hundred years earlier. The precise details, the free indirect style and the use of leitmotif all reveal Bellow as a keen student of Flaubert and the 19th-century realists. Yet his novella about a disastrous day in the life of the sloppy, jobless 44-year-old Tommy Wilhelm also bears the intervening influence of modernism, not least in its opening section in which, for twenty pages, our hero simply stands on the street thinking about his life.

In this episode, James Wood discusses the Bellovian prose style with its Melvillian love of words and biblical undertones, and explores the book’s evocation of a postwar Manhattan imbued with masculinist conventionality.

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Read more in the LRB:

Saul Bellow talks to Melvyn Bragg:

⁠https://www.lrb.co.uk/the-paper/v04/n08/melvyn-bragg/in-conversation-with-melvyn-bragg-saul-bellow-talks-about-his-new-novel-and-about-the-women-of-eastern-europe⁠

Andrew O’Hagan on Saul Bellow’s letters:

⁠https://www.lrb.co.uk/the-paper/v33/n01/andrew-o-hagan/they-don-t-say-that-about-idi-amin⁠

James Wolcott on Bellow’s later life:

⁠https://www.lrb.co.uk/the-paper/v41/n02/james-wolcott/the-unstoppable-upward⁠

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