Some classical music snobs look down their nose at film scores, considering them less “serious” than “art” music written for the concert hall.
Aaron Copland, for one, deplored this attitude. He admired the work of composers like Bernard Herrmann, Alex North, David Raksin and Elmer Bernstein, whose successful Hollywood careers earned them financial rewards on the West Coast, if not the respect of the snootier East Coast music critics. Copland had spent some time in Hollywood, and knew what was involved in completing a film score on time and on budget.
On today’s date in 1940, at Grauman’s Chinese Theater in Hollywood, the press was invited to a special preview showing of a new film version of Our Town. To match Thornton Wilder’s nostalgic stage play about American life in Grover’s Corners, New Hampshire, Copland’s score employed harmonies suggestive of old New England church hymns.
For once, audiences and critics were impressed, and Copland quickly arranged an Our Town concert suite, which premiered on a CBS Radio broadcast in June 1940. He reworked this suite for its first public performance by the Boston Pops and Leonard Bernstein in May 1944.
Aaron Copland (1900-1990): Our Town Suite; Saint Louis Symphony; Leonard Slatkin, conductor; BMG 61699
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