One of the writers I read most regularly is Clay Risen. He writes obituaries for the New York Times. Another way to say that is, he is a composer of mini-biographies, week after week.He has also worked as a political writer. And he has authored ten books, on various subjects: including the American civil rights movement, Theodore Roosevelt, McCarthyism, and whiskey.In our Q&A, we spend some time on Roosevelt. What a fascinating, and multifaceted, man. We also talk about his growing up—Clay’s, tha...
One of the writers I read most regularly is Clay Risen. He writes obituaries for the New York Times. Another way to say that is, he is a composer of mini-biographies, week after week.
He has also worked as a political writer. And he has authored ten books, on various subjects: including the American civil rights movement, Theodore Roosevelt, McCarthyism, and whiskey.
In our Q&A, we spend some time on Roosevelt. What a fascinating, and multifaceted, man. We also talk about his growing up—Clay’s, that is (but TR’s too, come to think of it). Clay is from Nashville. Actually from Nashville.
I have known many Nashvillians, but they have been people who moved there.
The bulk of our conversation, we spend on obituaries—their whys and wherefores. As my regular readers know, I love obits. It’s not that I’m macabre. No. I’m sorry the person has died. I just love life stories.
Consider a couple of things. (1) Maybe my favorite genre, in the book world, is biography and autobiography. (2) My attention span is possibly—possibly—getting a little shorter, what with blogposts and tweets and all.
Therefore, obits are pretty much made for me.
Many years ago, I talked with Bob Bork about the New York Times. He had given up reading the paper, out of political disgust. But there was one section he could not give up, and would not give up: the obits.
He was addicted (and so, I suppose, am I).
What are the ingredients of a good obituarist? Clay Risen touches on the main ones. You have to be curious—curious about people, curious about life, in all of its diversity, and weirdness. You have to be an absorber of information. It helps to be a fast learner. And you have to be sensitive.
There are family members to consider—survivors of the deceased. Is it nice, or right, to speak ill of the dead? No. At the same time, an obit is not a eulogy. An obit requires biographical honesty.
An obituarist for the New York Times has a special burden: the Times obit will be the “obit of record,” the obit that people will turn to, for years and years.
“Hey, what was the deal with that John Smith fella? Hang on, let me Google the New York Times obit.”
I think of music criticism (as I tell Clay in our podcast). The Times is more or less the trade journal of classical music. There is a lot riding on a Times review. There is extra weight on the shoulders of a Times critic—he can hurt someone.
I really can’t, which is a relief. Which frees one up, really.
Anyway, they are a very interesting subject, obits. And Clay Risen is a very interesting talker about them, and many another subject as well. You will enjoy his company. A literate, learned, genial man.
At the end of our Q&A, I ask him whether he’s glad to be an obits writer in our present era—rather than a political reporter, say. “Yes,” he answers, “a thousand times yes.”
I get it!
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