The Worm That Turned (1980): Gender Panic, PVC Fascism & Thatcher’s Britain

In celebration of International Women’s Day, we begin by digging into gender inequality statistics before turning to one of British television’s strangest dystopias: The Worm That Turned, the 1980 eight-part serial from The Two Ronnies.

Set in a nightmare vision of 2012 Britain, the serial imagines a world where women rule, men are domesticated and forced into women’s clothing, and law and order is enforced by a PVC-clad female Gestapo led by screen siren Diana Dors. We follow the unlikely heroes Janet and Betty (Ronnie Barker and Ronnie Corbett) as they flee the regime, seek out the resistance, and attempt to escape to Wales.

We place the serial in the political and cultural context of 1980 Britain — early Thatcherism, unrest, and rapidly shifting TV and music trends — and ask whether the comedy is mocking women’s power or exposing male fear of it. Along the way, we note the male-gaze elements and fascist aesthetics, but also the moments that highlight just how “shit” women’s lives are under patriarchy.

Click here to watch 'The Worm That Turned' on YouTube

GAZER HOMEWORK: Next week for Mother's Day we focus on the Hitchcock classic: PSYCHO from 1960.

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