We say hello and wave goodbye to summer, holidays and camping, Autumn is here and so we have a autumnal podcast about change and endings with mashups from virtual camping with PDS Mix’s Mashup Summer Camp, and actual camping with music and chat relating to Jaunt 4 where I was walking along the Jurassic Coast.
New music from Mark David Hadley, and new-ish shiny mashups from reconthuse, Sir Hank, DJ Giac, Marc Johnce, Vixoria Drift, DJNoNo and Titus Jones with the Will It Mash chatpod, and a tune from the new Mort Garson compilation Journey to the Moon and Beyond.
Also more Nick Drake covers and focus on Jimmy Webb, the Pet Shop Boys and Elton John, 90’s trance metal covers and big beat indie remixes, Japanese Soft Cell covers and an 80’s Duckie-inspired section as Duckie goes monthly.
Listen to RC 388: Autumn – Everything Must Go byRadio Clash on hearthis.at
In Autumn Everything Stops For T (2:31, 211Mb)WEBVTT
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Welcome to Radio Clash
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This is 388 and it’s Autumn: Everything Must Go. Yes especially those pesky leaves.
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Let us acknowledge that this passage constitutes a musical interlude
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That was Manic Street Preachers with Everything Must Go, the Chemical Brothers remix from 1996.
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And at the start, you heard Autumn, something I’ve had in the stack for a very long time.
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And that’s David Cain and Ronald Duncan from their very scary The Seasons album,
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a Radiophonic workshop.
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And yes, it is 388. I’ve come back from my hollibobs.
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And it is Autumn. Everything Must Go. Suddenly all the leaves must go.
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It’s weird. It wasn’t named that till the last minute.
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Either of them. Until stuff. Stuff has happened.
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Sometimes I have to podcast kind of as a distraction.
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A lot of my work is a distraction from what is going on in my life sometimes.
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And I have to say, this is no exception.
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So yes, you’re all a distraction, you are.
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I have to just focus on something.
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And I have to say that Chemical Brothers remix at the time, I didn’t really understand it.
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I don’t know. Maybe it’s because I hadn’t taken certain drugs then.
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But there is a certain schizophrenic dissociation, losing, just kind of falling into something,
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which I really connect with at the moment.
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Especially the lyric, I look to the future and it makes me cry.
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Because, hmm, anyway, the holiday was a success.
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Jaunt 4. I mean, kind of. I managed to damage my knee.
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I managed to stab my inflatable mattress with a pen knife accidentally on like day 2.
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I started out with 24 hours of rain.
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And I walked through lots of cow shit.
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And in the end, I just wanted to get it done.
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There was something else and I’ve forgotten it now.
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There’s three major events in it.
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Everything’s going wrong.
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But it’s done now.
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I’ve now walked the whole of the Jurassic Coast from Swanage to Exmouth.
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I’m not usually sure why.
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I’ve done quite a bit of artwork. I’ll blog about it.
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But yeah, I don’t expect one of those for a long time, unfortunately.
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And the song, when I was just thriving at Exmouth.
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And weirdly, I didn’t listen to a lot of music on that trip.
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I did a lot of walking. I did like 21 miles in one day.
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I worked out.
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I usually do that, working out how much I walk.
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Because it’s not going to rain, right?
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But that was the day when they were going to close the ranges at Lulworth for like a week.
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And so I wanted to get all my stuff done for that area around Tyneham.
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But yeah, as I came down the steps from the cliffs at Exmouth,
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which is my own destination, strangely, I mean, it was kind of getting evening.
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But there was a bunch of people doing kind of Zumba or something.
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It was some kind of exercising with kettlebells, but it’s kind of aerobic Zumba type of things.
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And the song they were playing was Freed from Desire, the 90s trance hit,
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which was a really strange thing to come down to.
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I was literally coming down to it.
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And listening to the lyrics is kind of very appropriate,
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because I was freed from my desire to walk the Jurassic coast at that very moment.
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And so here’s a very strange rock cover of it.
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That was Elton John covering Nick Drake, which, I mean, Elton John doesn’t do many covers anyway, but that’s from a Warlock sampler.
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Pre-fame, he did a whole load of songs for a record label.
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So like a kind of a demo, but kind of like to show Warlock was representing Nick Drake and a few other people.
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John Martin, I think, is on there as well, I think. There’s a few people.
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It’s got Way Too Blue, Saturday Sun, a few others from Nick Drake, which is just amazing.
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And apparently, Elton John, a while ago, sold the whole of his record collection and he kept two records.
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One was his white album signed personally from The Beatles, and the other one was that record.
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And because it’s so rare, it’s like a hundred, it’s been bootlegged, but there’s like a hundred only ever pressed.
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But it goes to show you, I think he likes that record.
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But it’s never had official release, so we might get into trouble for playing that.
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Do I care? Not really.
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Then before that, we had Jimmy Webb.
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I’ve been on another Jimmy Webb kick. I have to blame Rick Beato for that.
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I interviewed Jimmy Webb, and I watched that before I went off on holidays, I think.
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Really good interview, too short. It’s only like an hour, but it just shows you how good Jimmy Webb is and how not ego-y and very down to earth he is.
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And that’s from his mid-70s solo career.
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Of course, the date is wrong. That’s from a compilation.
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But he did an album about gliding, I think, really. He was really into his gliding.
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Apparently, after he did up, up and away, he really got into gliding.
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So there’s a picture of him gliding on the front cover, and that’s ocean in his eyes.
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It mentions things like kites.
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There’s sort of a brilliant theme throughout of flight and things like that.
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And then before that, we had from the 1980s, Typical, Bloody Typical, I think it’s 81 or 82.
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Quite the end of the Not The 9 O’clock News era.
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That was quite a bug as you get because it isn’t officially released, but it’s on an Audible thing.
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So I had to go through fun trying to convert it.
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Obviously, it’s a pisstake of Olivia Newton-John, rest in peace.
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But I was singing that while I was on holiday. I was singing it all the time.
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Typical, bloody typical.
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Because I mean, I forgot the other thing as well. I got attacked by dogs.
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So yeah, there was about three things that happened on holiday.
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It got to a point where I was like, there’s one more fucking thing I’m going home.
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Luckily there wasn’t, but yeah.
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Probably the reason why it sort of just sort of, I raced to finish it.
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I might go back to the era I did like it, what I saw, the bit I saw of Xmas.
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I love Sidmus, so I might go back, but not for a long while.
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And then before the nOt The 9 O’clock News, that was Pamela Stephenson on the vocals.
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And then before that, we had a new DJNoNo, that’s Barbara and the Jets on the Bimmelbahn.
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Bimmelbahn, yeah.
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It’s a long explanation of that track as Elton John versus Buddy Poke versus Duck Sauce.
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Now Bimmelbahn, Hallo Bimmelbahn is the original tune for Gotta Go Home by Boney M.
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Boney M used the vocal riff and basically the whole of the backing track.
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They just change the lyrics.
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The original lyrics of Hallo Bimmelbahn or Bimmelbahn is weirdly about…
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Bimmelbahn is one of those trackless trains, you know, those really cute ones that go on the road.
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I was saying Land Train and Road Train, but they’re kind of big trucks.
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No, it’s one of those little things you see in theme parks.
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And it’s about someone’s lover leaving on one.
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And the lyrics are quite sad, but it’s weird.
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It’s not exactly Leaving On A Jet Plane.
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So then that became Gotta Go Home by Boney M, which was then sampled by Duck Sauce.
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And it seemed to work really well with Bennie and the Jets.
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And so did you know, no, put that together and made it all about Barbara and Bennie on the Bimmelbahn?
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Yes.
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And it is kind of inspired.
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I think when I was playing it there, I was like, actually it probably is.
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It has been sort of inspired by the track before it, which is Titus Jones featuring the Will It Mash chat pod.
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I might have helped.
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The croc days are over. Florence and the Machine versus Elton John.
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I think I suggested the Florence and the Machine.
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And also I said, hasn’t that been done before?
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And then Titus tried it.
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It was like, result, keep that. That’s brilliant.
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And so hence why it’s credited to the Will It Mash chat pod.
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He usually doesn’t do those, but you could hear that was such a good song.
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So I was like, yes.
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Hence the quack.
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You hear the Titus Jones and quack, and the quack represents the Will It Mash chat pod.
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The Will It Mash being a Twitch channel where he mashes up live on stream.
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I’m a regular on there.
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Quack.
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And yeah, that was going to be Elton John section.
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I don’t play enough Elton John.
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I play bits on mashups.
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Elton John mostly has passed me by.
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I don’t know why.
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Maybe because I never really liked Tiny Dancer.
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I’m not sure.
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Then before that, we had Lobsterdust with Bonfire Vision.
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I’m not exactly sure it’s Childish Gambino versus something.
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And I can’t remember exactly what the dubstep is.
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But yeah, I think I heard that or a version with Bonfire.
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I think it was a version with Bonfire.
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But I think I heard that on the PDSMix’s summer camp, which is just finished.
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Because it mentions a bit about summer camp.
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I think someone did a mash with it and then they played that one.
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Or I found it via that.
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I was looking for mashups using the Bonfire vocal.
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I just love that.
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I’m going to burn everything you talk about.
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Yes, I like the anger of that.
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Then before that, similarly angry.
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We have Vixoria Drift with I really like you.
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Who gives a fuck?
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A mix of Carly-Rae Jepsen, Nightwish, Lamb of God, Tate McRae,
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and sort of a cast of millions.
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I forgot somewhere else that was also in there.
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But yeah, it’s a whole bunch of things.
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And that’s from the new ish album, Vivid.
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It’s really difficult to do multi-layered.
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So to multi-mash well in a way that it flows in a narrative.
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And it’s something I’ve been working on when I do my mashups.
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It’s not all of them.
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It’s one I threw out just before I left on holiday, which was a bit like,
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but usually I try and work on that flow between the interplay.
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And a lot of multi-mashes fail on that.
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They just sound like a medley.
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And what I like about that one is that does have that interplay where things
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seem to relate to each other.
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And they’re not suddenly just switching to one thing.
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It seems like a cohesive flow.
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And there’s a couple of tracks on the album, which are like that.
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Whereas I thought the passages, there was far too much switching.
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It sort of switched back and forth.
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And it was a bit like, I’d be ready to gain something and going,
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oh, that’s really good.
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And then they just switch.
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Whereas this, it feels like it’s sort of callbacks.
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And it doesn’t feel like you just suddenly switch the channel and,
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oh, you know, bad luck.
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That’s gone.
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And then, you know, a little bit, rather than, you know,
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but then main, there’s main bits of lamb and golden and whitewish,
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nightwish and color A Jepsen and a little bit of Gaga and a little bit of this.
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I think that works better than trying to do the sort of Mighty Mike,
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Norwegian Recycling thing of you can set your clock by every 10,
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20 seconds, switch to another diva, switch to another diva, switch to another diva,
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that I’m not a fan of.
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And it’s really difficult.
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Earworm was very good at it.
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Girl Talk wasn’t.
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So it’s not an easy thing to do.
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And I really think that album is a step forward.
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That’s a good idea.
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Before that, we had Freed from Desire,
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Gala cover from We Hate You, Please Die,
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which is a brilliant name for a band.
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When was that from?
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2020.
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I think I found that on there.
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Yeah, it was a bunch of COVID related, anti-COVID covers,
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Six Sad World, Vol 1 is on Bandcamp.
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I was looking for Freed from Desire covers and I found that went perfect.
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Yeah.
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And I think that Lobsterdust is from 2011, although it’s dated 2021,
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but it’s as Extraterrestrial 2011.
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So I don’t know when the childish Gambino came out.
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It’s not that new, but who knows?
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Who knows?
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So we’re going to play some more mashups.
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Whoa.
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I know, right?
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And this is by someone digging a lot recently.
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That’s Sir Hank.
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And this is Jump Around with Big Energy.
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And I didn’t know.
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It’s one of those cases where I didn’t really know the vocal.
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And I heard it and went, oh, that’s perfect.
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That is absolutely perfect.
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You know, it’s like the combination of the two things,
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because there’s been so many Jump Around mashups,
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but not, not, not like this.
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Finally
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I have been
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looking for a track from
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Black Eye, another track
01:25:51.000 –> 01:25:53.000
but there was an instrumental
01:25:53.000 –> 01:25:55.000
sort of theme released by Mort Garson
01:25:55.000 –> 01:25:57.000
on a compilation a long
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time ago. I was like I couldn’t believe that
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a film scored by Mort Garson and was only
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one tune
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and finally
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on the journey to the moon
01:26:07.000 –> 01:26:09.000
and beyond was released very recently
01:26:09.000 –> 01:26:11.000
I think it was just a few months ago
01:26:11.000 –> 01:26:13.000
or a month ago. We have Black Eye
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end credits because I think the other one
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was like in maybe the intro
01:26:17.000 –> 01:26:19.000
theme. I just knew
01:26:19.000 –> 01:26:21.000
I’ve been searching for it for years. I was like
01:26:21.000 –> 01:26:23.000
Mort Garson and Black Eye on Soulseek
01:26:23.000 –> 01:26:25.000
yes I do still use Soulseek
01:26:25.000 –> 01:26:27.000
and that just popped up and went
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what what we’ve actually got a Black Eye
01:26:29.000 –> 01:26:31.000
you know not the
01:26:31.000 –> 01:26:33.000
just the one that was excellent
01:26:33.000 –> 01:26:35.000
and I do recommend the journey to the moon
01:26:35.000 –> 01:26:37.000
and beyond. There’s the NASA
01:26:37.000 –> 01:26:39.000
he did the official
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music to this
01:26:41.000 –> 01:26:43.000
moon landing
01:26:43.000 –> 01:26:45.000
and there’s various other things on there
01:26:45.000 –> 01:26:47.000
but yes it’s a bit of a mixed bag as it always
01:26:47.000 –> 01:26:49.000
is with Mort Garson
01:26:49.000 –> 01:26:51.000
but that was worth it alone
01:26:51.000 –> 01:26:53.000
just for that. That was beautiful. Soulful
01:26:53.000 –> 01:26:55.000
and kind of like almost
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disco. I mean there was a disco section
01:26:57.000 –> 01:26:59.000
it’s kind of a good way to end a disco section
01:26:59.000 –> 01:27:01.000
though what was before was Marc
01:27:01.000 –> 01:27:03.000
Johnce with I Can See Discoproof
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Daisies that was released literally a day
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or so ago or a couple
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days ago. It’s very new
01:27:09.000 –> 01:27:11.000
new shit that’s LaRoux
01:27:11.000 –> 01:27:13.000
Bulletproof versus Chromeo
01:27:13.000 –> 01:27:15.000
versus Taylor Swift versus Kylie Minogue
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a bit Tension in there. I’ve not listened to
01:27:17.000 –> 01:27:19.000
tension but I’ve been hearing all the queens going
01:27:19.000 –> 01:27:21.000
on about it so I need to listen to Tension
01:27:21.000 –> 01:27:23.000
Katy Perry’s
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Daisies and Jesse Ware
01:27:25.000 –> 01:27:27.000
I’m not sure what the Jesse Ware is but I love the
01:27:27.000 –> 01:27:29.000
Katy Perry’s Daisies. The question is where’s the magic
01:27:29.000 –> 01:27:31.000
gone and why did we put all our
01:27:31.000 –> 01:27:33.000
dreams in the attic. Yes
01:27:33.000 –> 01:27:35.000
and then before that we had
01:27:35.000 –> 01:27:37.000
I mean you can’t have a disco section without Say
01:27:37.000 –> 01:27:39.000
She She that’s NORMA
01:27:39.000 –> 01:27:41.000
which was their response to
01:27:41.000 –> 01:27:43.000
the
01:27:43.000 –> 01:27:45.000
rolling back of the abortion laws
01:27:45.000 –> 01:27:47.000
in America. Obviously Norma
01:27:47.000 –> 01:27:49.000
is referencing Jane Roe
01:27:49.000 –> 01:27:51.000
who was Norma McCorvey
01:27:51.000 –> 01:27:53.000
who was the
01:27:53.000 –> 01:27:55.000
Jane Roe in Roe versus Wade
01:27:55.000 –> 01:27:57.000
and so as they called it
01:27:57.000 –> 01:27:59.000
Norma in capitals but it’s
01:27:59.000 –> 01:28:01.000
a good song of resistance anyway
01:28:01.000 –> 01:28:03.000
but yeah it’d be fucked at the moment
01:28:03.000 –> 01:28:05.000
and things need to change
01:28:05.000 –> 01:28:07.000
I’ve been locking horns
01:28:07.000 –> 01:28:09.000
with the Gender Critical lot
01:28:09.000 –> 01:28:11.000
on Bluesky of all places
01:28:11.000 –> 01:28:13.000
I mean they’re on Twitter, you expect that
01:28:13.000 –> 01:28:15.000
to come on Twitter but
01:28:15.000 –> 01:28:17.000
they’re on Bluesky and putting out
01:28:17.000 –> 01:28:19.000
their dumb people are going to rape you in the
01:28:19.000 –> 01:28:21.000
toilets type stuff and you’re like oh for fuck’s sake
01:28:21.000 –> 01:28:23.000
there’s a
01:28:23.000 –> 01:28:25.000
really good video series which I’ve posted on
01:28:25.000 –> 01:28:27.000
RadioClash.com by Caelan Conrad
01:28:27.000 –> 01:28:29.000
which kind of a long
01:28:29.000 –> 01:28:31.000
time ago I posted an alt-right
01:28:31.000 –> 01:28:33.000
playbook video series
01:28:33.000 –> 01:28:35.000
where they go through
01:28:35.000 –> 01:28:37.000
you know this is what they do, this is the tactics
01:28:37.000 –> 01:28:39.000
this is the strategy, this is the scripts
01:28:39.000 –> 01:28:41.000
here we are, same thing
01:28:41.000 –> 01:28:43.000
very useful, I would really recommend
01:28:43.000 –> 01:28:45.000
it’s five hours, it’s long
01:28:45.000 –> 01:28:47.000
but I think it’d be a, horrified and be
01:28:47.000 –> 01:28:49.000
very much informed into
01:28:49.000 –> 01:28:51.000
what they’re trying to do
01:28:51.000 –> 01:28:53.000
to ‘peak’ you as in that’s their word
01:28:53.000 –> 01:28:55.000
for redpilling you
01:28:55.000 –> 01:28:57.000
make people into
01:28:57.000 –> 01:28:59.000
bring them into their cult
01:28:59.000 –> 01:29:01.000
and it is really, I mean
01:29:01.000 –> 01:29:03.000
is it really a cult? No it is
01:29:03.000 –> 01:29:05.000
the person who deep dived it called it a cult
01:29:05.000 –> 01:29:07.000
and you see his information
01:29:07.000 –> 01:29:09.000
and all the receipts and all the screenshots
01:29:09.000 –> 01:29:11.000
and also when you go yeah that’s pretty culty
01:29:11.000 –> 01:29:13.000
so yeah it’s not
01:29:13.000 –> 01:29:15.000
necessarily what it seems
01:29:15.000 –> 01:29:17.000
all this sort of ‘concerned about women’
01:29:17.000 –> 01:29:19.000
their misogynists and
01:29:19.000 –> 01:29:21.000
hemophobes and transphobes and the whole lot
01:29:21.000 –> 01:29:23.000
and racists and ableists and all
01:29:23.000 –> 01:29:25.000
the whole lot of shit
01:29:25.000 –> 01:29:27.000
yes
01:29:27.000 –> 01:29:29.000
I try and do my public service
01:29:29.000 –> 01:29:31.000
by you know facing up on stuff like that
01:29:31.000 –> 01:29:33.000
because it’s an unending battle
01:29:33.000 –> 01:29:35.000
but interesting thing
01:29:35.000 –> 01:29:37.000
was is that the person just went off on me
01:29:37.000 –> 01:29:39.000
and looked truly bad
01:29:39.000 –> 01:29:41.000
which is great
01:29:41.000 –> 01:29:43.000
usually I’m the bad one for that
01:29:43.000 –> 01:29:45.000
so I’m wary of doing it because I’m like
01:29:45.000 –> 01:29:47.000
oh yeah
01:29:47.000 –> 01:29:49.000
you don’t want to kind of be able to point to you
01:29:49.000 –> 01:29:51.000
and go oh look look that’s a classic
01:29:51.000 –> 01:29:53.000
trans rights activist
01:29:53.000 –> 01:29:55.000
there we are, we can see them
01:29:55.000 –> 01:29:57.000
they just get really annoyed
01:29:57.000 –> 01:29:59.000
because I was a calm one and they’re the one who pulled out the ad homs
01:29:59.000 –> 01:30:01.000
and stuff and they’re like I win, bye
01:30:01.000 –> 01:30:03.000
I was being civil
01:30:03.000 –> 01:30:05.000
you’re a dick
01:30:05.000 –> 01:30:07.000
and you’re probably a sock puppet as well
01:30:07.000 –> 01:30:09.000
I’m pretty sure you’re not who you say you are
01:30:09.000 –> 01:30:11.000
but you know it’s so funny
01:30:11.000 –> 01:30:13.000
that we’re complaining about people masking up
01:30:13.000 –> 01:30:15.000
and they just had some random pictures
01:30:15.000 –> 01:30:17.000
of probably Antifa
01:30:17.000 –> 01:30:19.000
I think
01:30:19.000 –> 01:30:21.000
oh look at these trans rights activists hiding their face
01:30:21.000 –> 01:30:23.000
and of course on their profile no face
01:30:23.000 –> 01:30:25.000
no public information
01:30:25.000 –> 01:30:27.000
like I think you are a probably
01:30:27.000 –> 01:30:29.000
a Russian sock puppet
01:30:29.000 –> 01:30:31.000
say hi to Putin
01:30:31.000 –> 01:30:33.000
yeah
01:30:33.000 –> 01:30:35.000
and before that
01:30:35.000 –> 01:30:37.000
we had Fumboy3, Our Lips Are Sealed
01:30:37.000 –> 01:30:39.000
we had a special remix version
01:30:39.000 –> 01:30:41.000
with all the kiss from an enemy bits
01:30:41.000 –> 01:30:43.000
like was that Neville?
01:30:43.000 –> 01:30:45.000
and that’s played because I went to Duckie
01:30:45.000 –> 01:30:47.000
I went to the last Duckie
01:30:47.000 –> 01:30:49.000
the last weekly Duckie
01:30:49.000 –> 01:30:51.000
ever I think
01:30:51.000 –> 01:30:53.000
they’ve stopped doing the weekly things
01:30:53.000 –> 01:30:55.000
and they’ve now gone to monthly
01:30:55.000 –> 01:30:57.000
which is kind of an end of their era
01:30:57.000 –> 01:30:59.000
and they ended on the track before
01:30:59.000 –> 01:31:01.000
though not that version
01:31:01.000 –> 01:31:03.000
they ended on sOft Cell’s Say Hello Wave Goodbye
01:31:03.000 –> 01:31:05.000
but also they played Our Lips Are Sealed
01:31:05.000 –> 01:31:07.000
and that is a
01:31:07.000 –> 01:31:09.000
for me listening to the lyrics
01:31:09.000 –> 01:31:11.000
I love the lyrics
01:31:11.000 –> 01:31:13.000
‘there is a weapon to our defence silence’
01:31:13.000 –> 01:31:15.000
and there I go to Duckie
01:31:15.000 –> 01:31:17.000
and I don’t really speak to anyone
01:31:17.000 –> 01:31:19.000
I just dance
01:31:19.000 –> 01:31:21.000
I try and have a good time
01:31:21.000 –> 01:31:23.000
and it’s slightly weird
01:31:23.000 –> 01:31:25.000
I had a good conversation afterwards
01:31:25.000 –> 01:31:27.000
with an Irish bear actually
01:31:27.000 –> 01:31:29.000
weirdly in the park
01:31:29.000 –> 01:31:31.000
but yeah
01:31:31.000 –> 01:31:33.000
the way it is with that place
01:31:33.000 –> 01:31:35.000
and not really fitting in
01:31:35.000 –> 01:31:37.000
but then kind of that is a power
01:31:37.000 –> 01:31:39.000
in a way as well
01:31:39.000 –> 01:31:41.000
and then before that we had Salon Music
01:31:41.000 –> 01:31:43.000
with Say Hello Wave Goodbye
01:31:43.000 –> 01:31:45.000
and yes
01:31:45.000 –> 01:31:47.000
that is Sparks in there
01:31:47.000 –> 01:31:49.000
around 1988 they visited Japan
01:31:49.000 –> 01:31:51.000
and we were fans of Salon Music
01:31:51.000 –> 01:31:53.000
cut from the album O Boy
01:31:53.000 –> 01:31:55.000
and they did that cover
01:31:55.000 –> 01:31:57.000
and they appear in the middle of it
01:31:57.000 –> 01:31:59.000
but Salon were more
01:31:59.000 –> 01:32:01.000
kind of shoegazy
01:32:01.000 –> 01:32:03.000
I would say shoegazy rock
01:32:03.000 –> 01:32:05.000
that’s a little bit pop for them
01:32:05.000 –> 01:32:07.000
but I like it a lot
01:32:07.000 –> 01:32:09.000
then before that we had an old remix
01:32:09.000 –> 01:32:11.000
that’s from 2007
01:32:11.000 –> 01:32:13.000
that’s Copycat with Enjoy or Leave in Silence
01:32:13.000 –> 01:32:15.000
it’s a Depeche Mode vs Depeche Mode mashup
01:32:15.000 –> 01:32:17.000
but you don’t get anyone
01:32:17.000 –> 01:32:19.000
doing mashups of Leave in Silence
01:32:19.000 –> 01:32:21.000
so I’m playing it
01:32:21.000 –> 01:32:23.000
because I mean there was a whole 80’s section there
01:32:23.000 –> 01:32:25.000
a random 80’s section
01:32:25.000 –> 01:32:27.000
but yeah you just
01:32:27.000 –> 01:32:29.000
you get loads of Enjoy the Silence
01:32:29.000 –> 01:32:31.000
and no Leave In Silence mashups
01:32:31.000 –> 01:32:33.000
even though it’s a perfect thing
01:32:33.000 –> 01:32:35.000
yeah to sort of mash the two together
01:32:35.000 –> 01:32:37.000
but also why does everyone mash
01:32:37.000 –> 01:32:39.000
Personal Jesus
01:32:39.000 –> 01:32:41.000
Enjoy the Silence
01:32:41.000 –> 01:32:43.000
usually just enjoy the Silence actually
01:32:43.000 –> 01:32:45.000
and maybe Just Can’t Get Enough
01:32:45.000 –> 01:32:47.000
it’s kind of annoying as a Depeche Mode fan
01:32:47.000 –> 01:32:49.000
that people don’t mash other songs so much
01:32:49.000 –> 01:32:51.000
a few people do
01:32:51.000 –> 01:32:53.000
you know who you are
01:32:53.000 –> 01:32:55.000
but not so many general mashups
01:32:55.000 –> 01:32:57.000
which is a bit sad
01:32:57.000 –> 01:32:59.000
and when a new album comes out
01:32:59.000 –> 01:33:01.000
there’s a few of those
01:33:01.000 –> 01:33:03.000
but yeah it’s always kind of the same
01:33:03.000 –> 01:33:05.000
3, 2, 3 Personal Jesus, Enjoy the Silence
01:33:05.000 –> 01:33:07.000
Just Can’t Get Enough
01:33:07.000 –> 01:33:09.000
so it’s nice to hear
01:33:09.000 –> 01:33:11.000
a rarely mashed song
01:33:11.000 –> 01:33:13.000
and very strange I have to say
01:33:13.000 –> 01:33:15.000
it’s kind of a bit of a remix
01:33:15.000 –> 01:33:17.000
and some very strange off beats in there
01:33:17.000 –> 01:33:19.000
it was an interesting one to mix
01:33:19.000 –> 01:33:21.000
then before that
01:33:21.000 –> 01:33:23.000
we had Pet Shop Boys I’m Not Scared
01:33:23.000 –> 01:33:25.000
from Introspective
01:33:25.000 –> 01:33:27.000
1968 which is their
01:33:27.000 –> 01:33:29.000
version of the
01:33:29.000 –> 01:33:31.000
Patsy Kensit 8th Wonder
01:33:31.000 –> 01:33:33.000
hit and I actually prefer
01:33:33.000 –> 01:33:35.000
it very much sums up the time
01:33:35.000 –> 01:33:37.000
they’ve got these 1968
01:33:37.000 –> 01:33:39.000
sort of French student protests
01:33:39.000 –> 01:33:41.000
in there and
01:33:41.000 –> 01:33:43.000
yeah I went on a Pet Shop Boys kick
01:33:43.000 –> 01:33:45.000
and you’ll hear some more Pet Shop Boys in a little bit
01:33:45.000 –> 01:33:47.000
I’m not sure why
01:33:47.000 –> 01:33:49.000
it’s kind of just
01:33:49.000 –> 01:33:51.000
regularly do that
01:33:51.000 –> 01:33:53.000
check out what they’re up to
01:33:53.000 –> 01:33:55.000
stuff is, what the older stuff is
01:33:55.000 –> 01:33:57.000
and I was like I haven’t played
01:33:57.000 –> 01:33:59.000
I’m Not Scared by Pet Shop Boys in the podcast
01:33:59.000 –> 01:34:01.000
I was like why, why?
01:34:01.000 –> 01:34:03.000
it is one of my favourite songs of all time
01:34:03.000 –> 01:34:05.000
and then before that
01:34:05.000 –> 01:34:07.000
we had DJ Giac with West Heathens
01:34:07.000 –> 01:34:09.000
Twenty One Pilots vs Pet Shop Boys
01:34:09.000 –> 01:34:11.000
that’s the
01:34:11.000 –> 01:34:13.000
special slow down version
01:34:13.000 –> 01:34:15.000
of Pet Shop Boys
01:34:15.000 –> 01:34:17.000
by the Shanti Capturing the Light
01:34:17.000 –> 01:34:19.000
of Down Remix I looked it up
01:34:19.000 –> 01:34:21.000
on Remix.audio
01:34:21.000 –> 01:34:23.000
and that sort of slow groove
01:34:23.000 –> 01:34:25.000
and then at the start we had
01:34:25.000 –> 01:34:27.000
again a sort of an 80s thing
01:34:27.000 –> 01:34:29.000
because although
01:34:29.000 –> 01:34:31.000
House of Pain vs Latto doesn’t sound very 80s
01:34:31.000 –> 01:34:33.000
Latto sampled Tom Tom Club
01:34:33.000 –> 01:34:35.000
more than sampled like Interpolated
01:34:35.000 –> 01:34:37.000
did a whole vocal thing with it
01:34:37.000 –> 01:34:39.000
Big Dick Energy
01:34:39.000 –> 01:34:41.000
although I think that’s the polite version
01:34:41.000 –> 01:34:43.000
Big Big Energy
01:34:43.000 –> 01:34:45.000
and as she explained Big Dick Energy
01:34:45.000 –> 01:34:47.000
is for everyone
01:34:47.000 –> 01:34:49.000
not necessarily those with dicks
01:34:49.000 –> 01:34:51.000
but I kind of
01:34:51.000 –> 01:34:53.000
I wouldn’t say I didn’t know that track
01:34:53.000 –> 01:34:55.000
I kind of came across it at some point
01:34:55.000 –> 01:34:57.000
but I’ve forgotten about it
01:34:57.000 –> 01:34:59.000
and it works so well with
01:34:59.000 –> 01:35:01.000
House of Pain Jump Around
01:35:01.000 –> 01:35:03.000
Jump Around with Big Dick Energy
01:35:03.000 –> 01:35:05.000
yes
01:35:05.000 –> 01:35:07.000
jump around with Big Dick Energy
01:35:07.000 –> 01:35:09.000
but that’s the G-rated version
01:35:09.000 –> 01:35:11.000
so I’m going to go more
01:35:11.000 –> 01:35:13.000
into a track, a new track
01:35:13.000 –> 01:35:15.000
by Mark
01:35:15.000 –> 01:35:17.000
David Hadley
01:35:17.000 –> 01:35:19.000
all of them out, you can find it on
01:35:19.000 –> 01:35:21.000
Bandcamp
01:35:21.000 –> 01:35:23.000
is it Sound by Mark, I think it’s called
01:35:23.000 –> 01:35:25.000
yeah soundbymark
01:35:25.000 –> 01:35:27.000
on Bandcamp.com
01:35:27.000 –> 01:35:29.000
and it’s a new album called Through Trains
01:35:29.000 –> 01:35:31.000
although interestingly the one
01:35:31.000 –> 01:35:33.000
one of the ones, not this one
01:35:33.000 –> 01:35:35.000
but one of the ones I heard
01:35:35.000 –> 01:35:37.000
remind me more of sailing on my dad’s boat
01:35:37.000 –> 01:35:39.000
apparently my dad was just sold
01:35:39.000 –> 01:35:41.000
I didn’t realize he’d sold his boat
01:35:41.000 –> 01:35:43.000
which is a bit sad
01:35:43.000 –> 01:35:45.000
but this is a bit more of a darker one
01:35:45.000 –> 01:35:47.000
and this is Echoes
01:35:47.000 –> 01:35:49.000
off the album
02:17:05.000 –> 02:17:07.000
That was Brown Dust
02:17:07.000 –> 02:17:09.000
yes that is the name of the band
02:17:09.000 –> 02:17:11.000
terrible name
02:17:11.000 –> 02:17:13.000
with Autumn from
02:17:13.000 –> 02:17:15.000
1972
02:17:15.000 –> 02:17:17.000
I don’t know if that’s a cover or not
02:17:17.000 –> 02:17:19.000
but it seemed appropriate for the end of summer
02:17:19.000 –> 02:17:21.000
in the start of autumn
02:17:21.000 –> 02:17:23.000
and then before that we had
02:17:23.000 –> 02:17:25.000
Cara Dillon from Cara Dillon
02:17:25.000 –> 02:17:27.000
2001 that’s I Am A Youth That’s
02:17:27.000 –> 02:17:29.000
Inclined To Ramble and I am
02:17:29.000 –> 02:17:31.000
well I’m not a youth I’m an old man
02:17:31.000 –> 02:17:33.000
that’s inclined to ramble but
02:17:33.000 –> 02:17:35.000
yeah
02:17:35.000 –> 02:17:37.000
that’s such a beautiful song it moves me to tears that song
02:17:37.000 –> 02:17:39.000
it’s a very very old
02:17:39.000 –> 02:17:41.000
18th century
02:17:41.000 –> 02:17:43.000
I think Scottish tune
02:17:43.000 –> 02:17:45.000
Scottish Irish
02:17:45.000 –> 02:17:47.000
yeah it is a very old traditional tune
02:17:47.000 –> 02:17:49.000
then before that we had
02:17:49.000 –> 02:17:51.000
Lil Peep
02:17:51.000 –> 02:17:53.000
with Life Is Beautiful
02:17:53.000 –> 02:17:55.000
which came out after he died I think
02:17:55.000 –> 02:17:57.000
from Come Over When You’re Sober Part 2
02:17:57.000 –> 02:17:59.000
I have to say I kind of avoided
02:17:59.000 –> 02:18:01.000
I knew of Lil Peep
02:18:01.000 –> 02:18:03.000
because vice articles
02:18:03.000 –> 02:18:05.000
and all these people talking about
02:18:05.000 –> 02:18:07.000
this new person
02:18:07.000 –> 02:18:09.000
but there does seem to be a bunch of
02:18:09.000 –> 02:18:11.000
I’m really just getting older
02:18:11.000 –> 02:18:13.000
but a bunch of rappers that died
02:18:13.000 –> 02:18:15.000
before they even really made it
02:18:15.000 –> 02:18:17.000
I had a few mixtapes or one album
02:18:17.000 –> 02:18:19.000
and then they were gone
02:18:19.000 –> 02:18:21.000
and he’s one of those
02:18:21.000 –> 02:18:23.000
referenced a lot of Cobain
02:18:23.000 –> 02:18:25.000
it’s all a bit kind of
02:18:25.000 –> 02:18:27.000
worryingly self perpetuating
02:18:27.000 –> 02:18:29.000
when someone’s idolising Cobain
02:18:29.000 –> 02:18:31.000
and then they die young themselves
02:18:31.000 –> 02:18:33.000
it’s not the 27 club anymore
02:18:33.000 –> 02:18:35.000
it’s like the 21 club or the
02:18:35.000 –> 02:18:37.000
19 club or the 22 club isn’t it
02:18:37.000 –> 02:18:39.000
the 27 grandad compared to
02:18:39.000 –> 02:18:41.000
some of these
02:18:41.000 –> 02:18:43.000
and before that we had
02:18:43.000 –> 02:18:45.000
Stick In The Wheel With Parasite
02:18:45.000 –> 02:18:47.000
which is from
02:18:47.000 –> 02:18:49.000
I’ve been trying not to play all of The Endless
02:18:49.000 –> 02:18:51.000
Coloured Ways
02:18:51.000 –> 02:18:53.000
The Songs of Nick Drake compilation
02:18:53.000 –> 02:18:55.000
but it is one of my favourites
02:18:55.000 –> 02:18:57.000
even though it’s so bleak and it is a bleak song
02:18:57.000 –> 02:18:59.000
it’s hard listening
02:18:59.000 –> 02:19:01.000
and then before that we had Fissunix
02:19:01.000 –> 02:19:03.000
with Is Schubert A Crime
02:19:03.000 –> 02:19:05.000
Sade versus
02:19:05.000 –> 02:19:07.000
Thylacine
02:19:07.000 –> 02:19:09.000
who did that
02:19:09.000 –> 02:19:11.000
originally Wendy Carlos thing
02:19:11.000 –> 02:19:13.000
but also William Orbit
02:19:13.000 –> 02:19:15.000
of taking a bunch of
02:19:15.000 –> 02:19:17.000
classical tunes
02:19:17.000 –> 02:19:19.000
and doing some ambient
02:19:19.000 –> 02:19:21.000
trance music with it
02:19:21.000 –> 02:19:23.000
that works very well
02:19:23.000 –> 02:19:25.000
there isn’t enough Schubert in mashups
02:19:25.000 –> 02:19:27.000
I do like to
02:19:27.000 –> 02:19:29.000
as I said it before
02:19:29.000 –> 02:19:31.000
I do like to creep
02:19:31.000 –> 02:19:33.000
sneak classical music
02:19:33.000 –> 02:19:35.000
into things
02:19:35.000 –> 02:19:37.000
it’s like a spoonful of sugar just underneath the door
02:19:37.000 –> 02:19:39.000
for a little bit of classical music
02:19:39.000 –> 02:19:41.000
and yeah we just sort of sneak it in there
02:19:41.000 –> 02:19:43.000
take all the posh things and sort of
02:19:43.000 –> 02:19:45.000
put them in the liquidiser
02:19:45.000 –> 02:19:47.000
and put them into milkshake secretly
02:19:47.000 –> 02:19:49.000
that’s what we like to do
02:19:49.000 –> 02:19:51.000
a little bit of art around here
02:19:51.000 –> 02:19:53.000
and then before that we had Pet Shop Boys Invisible
02:19:53.000 –> 02:19:55.000
which is from Elysium
02:19:55.000 –> 02:19:57.000
from 2017
02:19:57.000 –> 02:19:59.000
well that was
02:19:59.000 –> 02:20:01.000
at least it was Further Listening than 2017
02:20:01.000 –> 02:20:03.000
but I think it was actually 2011 or 2012
02:20:03.000 –> 02:20:05.000
something like that
02:20:05.000 –> 02:20:07.000
some point in the 11’s
02:20:07.000 –> 02:20:09.000
and that is about
02:20:09.000 –> 02:20:11.000
basically being gay
02:20:11.000 –> 02:20:13.000
and over 50 and being invisible and gay bars
02:20:13.000 –> 02:20:15.000
which you know obviously
02:20:15.000 –> 02:20:17.000
I just talked about Duckie
02:20:17.000 –> 02:20:19.000
and that sort of thing of where
02:20:19.000 –> 02:20:21.000
yeah it’s a younger generation
02:20:21.000 –> 02:20:23.000
you don’t exist it’s like an invisibility cloak
02:20:23.000 –> 02:20:25.000
it happens to older women
02:20:25.000 –> 02:20:27.000
it happens to gay men
02:20:27.000 –> 02:20:29.000
they’re just like hello we’re over here no
02:20:29.000 –> 02:20:31.000
they actually literally bump into me as if like I’m
02:20:31.000 –> 02:20:33.000
that’s when it gets a bit much
02:20:33.000 –> 02:20:35.000
when they actually walk into you as if like
02:20:35.000 –> 02:20:37.000
you are literally invisible
02:20:37.000 –> 02:20:39.000
that’s like
02:20:39.000 –> 02:20:41.000
hmm and I’m not your target market
02:20:41.000 –> 02:20:43.000
and I’m not interested in 20 year olds either
02:20:43.000 –> 02:20:45.000
so you know it works best ways
02:20:45.000 –> 02:20:47.000
it’s a bit offensive when they’re like
02:20:47.000 –> 02:20:49.000
it’s to walk into you as if like you
02:20:49.000 –> 02:20:51.000
aren’t even there
02:20:51.000 –> 02:20:53.000
and scowl at you like it’s your fault
02:20:53.000 –> 02:20:55.000
it’s like I’m not the one who’s completely
02:20:55.000 –> 02:20:57.000
twatted
02:20:57.000 –> 02:20:59.000
then before that we had The Arrangement
02:20:59.000 –> 02:21:01.000
by Joni Mitchell from
02:21:01.000 –> 02:21:03.000
1970’s Ladies of the Canyon
02:21:03.000 –> 02:21:05.000
there’s two songs there
02:21:05.000 –> 02:21:07.000
very linked well there’s like three
02:21:07.000 –> 02:21:09.000
I suppose Invisible
02:21:09.000 –> 02:21:11.000
The Arrangement which is about
02:21:11.000 –> 02:21:13.000
how people sort of sell
02:21:13.000 –> 02:21:15.000
their dreams down the river
02:21:15.000 –> 02:21:17.000
for a life in the suburbs
02:21:17.000 –> 02:21:19.000
and then before that
02:21:19.000 –> 02:21:21.000
Jimmy Webb’s song Pocketful of Keys
02:21:21.000 –> 02:21:23.000
I wanted to play Thelma Houston
02:21:23.000 –> 02:21:25.000
because Thelma Houston before she was all Disco
02:21:25.000 –> 02:21:27.000
she did an album with
02:21:27.000 –> 02:21:29.000
Jimmy Webb but I can’t because
02:21:29.000 –> 02:21:31.000
I guess who big bad
02:21:31.000 –> 02:21:33.000
record company but
02:21:33.000 –> 02:21:35.000
that version isn’t
02:21:35.000 –> 02:21:37.000
and I think it’s more interesting and more
02:21:37.000 –> 02:21:39.000
not really well known that Doug Ashton
02:21:39.000 –> 02:21:41.000
with Pocketful of Keys from
02:21:41.000 –> 02:21:43.000
1977’s Empty Without You
02:21:43.000 –> 02:21:45.000
and Pocketful of Keys
02:21:45.000 –> 02:21:47.000
is all about a similar sort of alienation
02:21:47.000 –> 02:21:49.000
I love the fact that it’s like
02:21:49.000 –> 02:21:51.000
jangle the Pocketful of Keys
02:21:51.000 –> 02:21:53.000
makes the spider scuttle away
02:21:53.000 –> 02:21:55.000
you just get a very visible idea that
02:21:55.000 –> 02:21:57.000
there’s nothing in the mailbox
02:21:57.000 –> 02:21:59.000
it hasn’t been for a long time for the spiders
02:21:59.000 –> 02:22:01.000
in there
02:22:01.000 –> 02:22:03.000
very lonely existence
02:22:03.000 –> 02:22:05.000
then before that
02:22:05.000 –> 02:22:07.000
interestingly from the album called 1977
02:22:07.000 –> 02:22:09.000
I don’t remember there’s a link there
02:22:09.000 –> 02:22:11.000
that’s Music’s Éire
02:22:11.000 –> 02:22:13.000
and yeah I’m liking
02:22:13.000 –> 02:22:15.000
what I’m hearing from that album
02:22:15.000 –> 02:22:17.000
and at the start of the section we heard
02:22:17.000 –> 02:22:19.000
Echoes Mark David Hadley
02:22:19.000 –> 02:22:21.000
from the recent album Through Trains
02:22:21.000 –> 02:22:23.000
Check It Out
02:22:23.000 –> 02:22:25.000
I need to feature it on the
02:22:25.000 –> 02:22:27.000
I’m very bad at featuring things on blogs
02:22:27.000 –> 02:22:29.000
I launched it when I was away
02:22:29.000 –> 02:22:31.000
but there’s two or three I specifically like
02:22:31.000 –> 02:22:33.000
and there’ll be one of two to
02:22:33.000 –> 02:22:35.000
play in future podcasts
02:22:35.000 –> 02:22:37.000
and thank you Mark for giving me a copy of that
02:22:37.000 –> 02:22:39.000
and I hope
02:22:39.000 –> 02:22:41.000
people go and check it out because
02:22:41.000 –> 02:22:43.000
Mark is
02:22:43.000 –> 02:22:45.000
I’ve said so many times before
02:22:45.000 –> 02:22:47.000
someone I’m out on my art degree
02:22:47.000 –> 02:22:49.000
and has always been a musician
02:22:49.000 –> 02:22:51.000
and into making
02:22:51.000 –> 02:22:53.000
sound sculptures
02:22:53.000 –> 02:22:55.000
and sound pieces
02:22:55.000 –> 02:22:57.000
and musical pieces
02:22:57.000 –> 02:22:59.000
is very talented I have
02:22:59.000 –> 02:23:01.000
there’s a couple of people I knew
02:23:01.000 –> 02:23:03.000
you work with musically
02:23:03.000 –> 02:23:05.000
Sean was the other one
02:23:05.000 –> 02:23:07.000
who was just so tale
RC 395: River Is Beatiful
RC 394: A Place To Hide
RC 393: Boredom Could Be Good For You – Deep Dive #3
RC 392: The Burn Out & The Big Freeze
RC 391: The Nameless Xmas Episode
RC 390: Wreck The Joint (Acid Rain)
RC 389: Ghosts
RC 387: Down By The River (Abhainn)
RC 386: Bagpipes, Big Smoke & Bling
RC 385: Cruel Summer
RC 384: Tender Silence of Night – Deep Dive #2
RC 383: Cha Cha Charles / House Proud
RC 382: Enjoy Your Life?
RC 381: This Is My Church / 50th
RC 380: PSYCH SCHOOL – Play School Breaks, Psych & Funk
RC 379: Lost Horizon
RC 378: Not Alone
RC 377: Where’s There To Go?
RC 376: Hinterland / Epic 2023?
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