The first four episodes of Dan Weiss and David Benioff’s Netflix adaptation of Liu Cixin’s novel THE THREE-BODY PROBLEM show some promise, but they’ve burned us in the past so it’s hard to get too excited. In episode 307, join Luke Elliott & James Bailey as they propose humanity’s envoy for a first contact scenario, discuss the choice to change Wang Maio into the Oxford Five, learn about a real-life poisoning connected to the show, discuss the Fermi Paradox and the “Dark Forest” hypothesis, and wonder if Ye Wenjie is a true religious zealot.
Episodes discussed
1 Countdown
2 Red Coast
3 Destroyer of Worlds
4 Our Lord
Join them next week as they finish both the book & show and vote on which one is the better version!
Ink to Film
Luke Elliott
James Bailey
Credits
A Wild Trip Through “Alice in Wonderland” (1951 film) | Book vs Movie
A Rabbit Hole of Controversy in “Alice’s Adventures in Wonderland” (1865 novel)
Seeing Beyond the Singularity in “3 Body Problem” (2008 novel & 2024 Show) eps. 5-8
Just Getting Started With “The Three-Body Problem” (2008 novel)
Casino Royale (2006) is the Best Possible James Bond Adaptation | Book vs Film
From the Vault: “The Sandman” Dream of a Thousand Cats; Calliope (S1:E11)
Searching for Humanity in “Casino Royale” (1953 novel)
Manufacturing a Messiah in “Dune: Part Two” (2024 film) ft. Fonda Lee
Men Telling a Woman’s Story? "Poor Things" (2023 film) ft. Laura of Why the Book Wins
A Post-Modern Prometheus? “Poor Things” (1992 novel)
Introducing the "Adaptation Hall of Fame" 2024 Class | 300th Episode!
Paul Tremblay Reflects on “Knock at the Cabin” (2023) | Creative Conversations
The Kathy Bates Show “Misery” (1990 film)
Examining Toxic Fandom in Stephen King’s “Misery” (1987 novel)
Last Looks 2023
“One of THE Moments in Movie History” ITF Read & Watch: Willy Wonka & the Chocolate Factory (1964 novel & 1971 film)
“The Creepiest Thing Hitchcock Ever Did” ITF Watch: Psycho (1960 film)
“Empathy for the Devil” ITF Read: Psycho (1959 book)
“Going Beyond Katniss” ITF Watch: The Hunger Games (2012 film)
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