Why do your mixes sound OK in your studio, and fall flat everywhere else? Can you get great mixes, even in compromised rooms, or if you're mixing on headphones? Here are the answers.
Justin Colletti distills down into the major keys to making your mixes work, no matter where you mix, or where your mixes go.
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The Beatles Studio Sounds with Modern Gear
How to Use Reference Mixes (The RIGHT WAY)
Can You Have a Talent for Mixing?
Will A.I. Musicians and Mixers Steal Your Job? (...Or save it?)
I'm a Mastering Engineer. Ask Me Anything.
What Makes this Mix Great? Tame Impala: "The Less I Know The Better"
Mastering the Car Check: How to Get Great Mixes Everywhere
Mix Breakdown: Soundgarden "Black Hole Sun"
Mix Breakdown: Britney Spears "Toxic"
Best New Audio Gear of 2024: NAMM Edition
Mix Breakdown: Pharrell Williams "Happy"
What (Almost) Everyone Gets Wrong About Sampling Rates
Why Your Mix Sounds OK, But FEELS WRONG.
Mixing Masterclass with Jeff Ellis [Doja Cat, d4Vd, Frank Ocean]
MixCon Q&A and Interviw with Joel Hamilton [Tom Waits, Black Keys, Highly Suspect, Sparklehorse]
MixCon Q&A with GRAMMY-Winning Mixer Nic Hard
MixCon Q&A with GRAMMY-Winning Mastering Engineers of Lurssen Mastering
MixCon Q&A with Sylvia Massy [Tool, Johnny Cash, Red Hot Chili Peppers]
How to EQ EVERYTHING: A FREE Comprehensive Guide
Joel Wanasek Interview: Rediscovering Analog, Mastering Yourself & Ignoring Bad Advice
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