In the first part of the episode, we introduce the topic of customers talking back, starting with the Stop Funding Hate campaign, which lobbies companies not to place advertisements in divisive British newspapers. Information about the campaign is available on their website https://stopfundinghate.info/ .
We also mention the example of fake reviews of gendered Bic pens on Amazon as a form of customers engaging in social critique through humour. You can find a selection of those fake reviews here: https://www.buzzfeed.com/annanorth/12-hilarious-reviews-of-a-pen-just-for-women)
Another (inadvertently) humorous example of customers talking to companies is a Twitter exchange between a customer of Domino’s Pizza and the company. We then go on to discuss electronic word of mouth (or eWOM for short), with Bernard and Erika referring to a number of relevant studies:
Babić Rosario, A., Sotgiu, F., de Valck, K., & Bijmolt, T. H. A. (2016). The effect of electronic word of mouth on sales: A meta-analytic review of platform, product, and metric factors. Journal of Marketing Research, 53(3), 297-318.
Kim, K., Yoon, S., & Choi, Y. K. (2019). The effects of eWOM volume and valence on product sales – an empirical examination of the movie industry. International Journal of Advertising, 38(3), 471-488.
Luca, M., & Zervas, G. (2016). Fake it till you make it: Reputation, competition, and Yelp review fraud. Management Science, 62(12), 3412-3427.
The proportion of fake reviews on Trip Advisor was reported in The Times: https://www.thetimes.co.uk/article/hotel-and-caf-cheats-are-caught-trying-to-buy-tripadvisor-stars-027fbcwc8 (paywall).
The study about how confident people are about being able to spot fake reviews is summarised here, along with a test to find out how good you are at detecting reviews that are not genuine: https://theconversation.com/how-to-spot-a-fake-review-youre-probably-worse-at-it-than-you-realise-121043
Two pieces of software to help distinguish real from fake reviews are Fakespot.com and Reviewmeta.com. Moving to the credibility of authentic reviews, Bernard mentions the following studies on how so-called netspeak as well as attractive user images affect the credibility of online reviews:
Ozanne, M., Liu, S. Q., & Mattila, A. S. (2019). Are attractive reviewers more persuasive? Examining the role of physical attractiveness in online reviews. Journal of Consumer Marketing, 36(6), 728-739.
Our interview for this episode is with Camilla Vasquez. Some of her publications are:
Bridges, J., & Vásquez, C. (2018). If nearly all Airbnb reviews are positive, does that make them meaningless? Current Issues in Tourism, 21(18), 2057-2075.
Vásquez, C. (2014). The Discourse of Online Consumer Reviews. London: Bloomsbury.
Vásquez, C. (2019). Language, Creativity and Humour Online. New York: Routledge.
In the final part of the episode, we analyse a Twitter thread that starts with one customer asking a company this mock question on Twitter: “Hi Skyscanner! Just wondering what you’d recommend I do during the 47 year layover your website has suggested?”
For further information, references and transcript visit our blog on:
https://wordsandactions.blog
Language in Business, Language at Work
The Language of Corporate Social Responsibility: Language Discrimination
Language awareness in the age of AI
The Language of Corporate Social Responsibility: Ecolinguistics
The Language of Corporate Social Responsibility: Responsible Communication
Selling Hard and Soft
Language and Identity Online
Language and Technology
Translation and Interpreting When the Stakes are High
Multilingualism
Negotiations
Meetings and Conflicts
The language of Entrepreneurship (3): Creativity in language and visual communication
New Year’s Special: 2020 Through the Language Lens
The language of entrepreneurship (2): Pitches and presentations
The Language of Entrepreneurship (1): Talking about Entrepreneurship
Change Management and Language
Applying for a job (3): The language of job interviews
Applying for a job (2): Language and impression management
The Language of Job Ads
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