This week's guest is producer Helen Gladders.
I became aware of Helen’s work through the 2016 short film RHONNA & DONNA, directed by Daina O. Pusic, and then I kept seeing her name popping up everywhere and knew she was a producer to watch.
More things you might want to know about Helen:
She is a graduate of the National Film and Television School having done their MA in Producing for Film & Television. She set up her own company Gingerbread Pictures in October 2016 and was nominated for the “Best Producer” award at Underwire for her short THE WYRD written and directed by Chloë Wicks, in 2017. She is an alumni of the BFI NETWORK’S Producer weekender, Edinburgh Film Festival talent lab, and NETWORK@LFF. Her recent short films include NIGHT BUS directed by former podcast guests Jessica & Henrietta Ashworth and the Film4 & BFI Network backed RUN written & directed by former podcast guest Ruth Greenberg and starring Niamh Algar.
At the time of recording, she was in post-production on her first feature TUESDAY, written and directed by Daina O. Pusic, starring Julia Louis-Dreyfus and Lola Petticrew and backed by A24, BBC Films, BFI, and Cinereach. And excitingly, the film has since had two festival appearances confirmed. It will premiere at this year’s Telluride festival in the US, followed shortly after by the BFI London Film Festival, where it will screen in the First Feature Competition.
Elsewhere, Helen is busy working on several projects including debut features from filmmakers Jessica & Henrietta Ashworth, Astrid Thorvaldsen, Morayo Akande and Zoe Alker.
We talk about how Helen discovered a knack for producing, her experience studying at NFTS, establishing a vision and a voice for her production company, the short film funding landscape, what it means to package a project, the differences between producing shorts and features, and how Titanic kickstarted both of our fascinations with the film industry…
SHOW NOTES:
#138: Georgia Goggin returns!
#137: Desiree Akhavan, Director, Writer, Actor
#136: Moss Barclay, Executive Producer for TV at See-Saw Films
#135: Leo Anna Thomas, Wellbeing Facilitator
#134: Farhana Bhula, Head of Creative at Film4
#133: Vicki Brown, Senior Executive of Sales & Distribution at BFI
#132: Tricia Tuttle, Head of Directing Fiction at NFTS
#131: Uzma Hasan, Producer
#130: Laura Zempel, Editor
#129: Clare Baines, Disability Equality Lead at BFI
#128: Cassandra Johnson-Bekoe, Writer, Producer, Script Editor & Head of Development at DARE Pictures
#127: Emma Obank, Talent Agent at Casarotto Ramsay & Associates
#126: Sophia Hardman, Foley Editor & Mixer
#124: Eve Gabereau, Founder & MD of Modern Films
#123: Jeanie Igoe, producer
#122: Hanna Flint, Critic, Author & Broadcaster
#121: Ines Adriana, Sound Designer & Mixer
#120: Lucy Bright, Music Supervisor
#119: Olive Nwosu, Filmmaker
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