African-American oboist and Principal Oboe of the Nashville Symphony Titus Underwood discusses historically ingrained biases and prejudices when hiring and managing orchestras which have largely grown out of a place of extreme discriminatory privilege. We will also examine Matthew Morrison’s article “Race, Blacksound, and the (Re)Making of Musical Discourse.”
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Irish Songs with Ken Murray
Immediately Kinfolk
Turned On
Resident by Hernan Cattaneo
Markus Schulz presents Global DJ Broadcast