“Ripley” -- the stylish eight-episode series currently streaming on Netflix -- is a very deliberate bit of filmmaking. While the black-and-white filming and exquisitely framed shots draw attention to the cinematography, today co-host Louis Weeks and I are speaking with Score Composer Jeff Russo. We explore how Jeff’s relationship with the character of Ripley evolved over time, and Jeff illustrates how this score is an integrated aspect of the storytelling. (Jeff also draws parallels between his collaboration with creator Steve Zaillian and his time as a founding member of the rock band, Tonic, which itself is worth the price of admission.)
S19 - Ep 8 - Fallout - Set Decoration and Props
S19 - Ep 7 - Manhunt - Costume Design
S19 - Ep 5 - Before I Change My Mind - Theater-Rooted Filmmaking
S19 - Ep 4 - Drugstore June - Cinematography
S19 - Ep 3 - Griselda - Makeup
S19 - Ep 2 - Sexy Beast - Producing and Editing
S19 - Ep 1 - Oppenheimer - Props at the Oscars
S18 - Ep 12 - 96th Oscars - Propmastering
S18 - Ep 11 - 96th Oscars - Original Song
S18 - Ep 10 - 96th Oscars - Original Score
S18 - Ep 9 - 96th Oscars - Film Editing
S18 - Ep 8 - 96th Oscars - Makeup and Hairstyling
S18 - Ep 7 - 96th Oscars - Cinematography
S18 - Ep 6 - 96th Oscars - Costume Design
S18 - Ep 5 - 96th Oscars - Animated Feature
S18 - Ep 4 - 96th Oscars - Production Design
S18 - Ep 3 - 96th Oscars - Visual Effects
S18 - Ep 2 - 96th Oscars - Directing
S18 - Ep 1 - 96th Oscars - Sound
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