The Holmes Archive of Electronic Music
Music:Music History
Episode 109
Part 2 of The Distinctive Electronic Music of Oskar Sala and the Mixtur-Trautonium
Playlist
Opening background music: Oskar Sala, “Der Würger Von Schloß Blackmoor” (1963 Soundtrack)” from Subharmonic Mixtures (1997 Erdenklang). This was a full-length feature with electronic music and sound effects by Sala. The track included here is a version containing essential electronic elements from the motion picture. The German film was a murder mystery with horror undertones, a perfect platform for Sala’s spooky sounds and incidental music. Composed, Performed on the Mixtur-Trautonium and produced by Oskar Sala. 12.31.
Opening and closing sequences voiced by Anne Benkovitz.
Additional opening, closing, and other incidental music by Thom Holmes.
See my companion blog that I write for the Bob Moog Foundation.
For additional notes, please see my blog, Noise and Notations.
Electronic Music for Babies
Crosscurrents in Early Electronic Music of Canada, Part 2
Crosscurrents in Early Electronic Music of Canada, Part 1
Phonographic Education—a Sound Collage
Electronic Keyboards in Jazz, A Recorded History, Part 2 of 2
Electronic Keyboards in Jazz, A Recorded History, Part 1 of 2
The Sounds of Motoring
Radio Spirits in the Night
Refined Noise
More Electronic Music for Astral Tripping
Merry Moog 2023--Holiday Music Performed on the Moog and other Synthesizers
Before and After Ambient, Part 2
Before and After Ambient, Part 1
The Distinctive Electronic Music of Oskar Sala and the Mixtur-Trautonium, Part 1
Crosscurrents in Early Electronic Music of Norway
Electronic Music of Dune
The 2023 US Open Tennis Soundscape
Experimental Music for Pipe Organ, The Original Synthesizer
Crosscurrents in Early Electronic Music of Japan
Create your
podcast in
minutes
It is Free
Irish Songs with Ken Murray
A History of Rock Music in 500 Songs
Dolly Parton’s America
GOOD OL’ GRATEFUL DEADCAST
Hit Parade | Music History and Music Trivia