What does an image feel like? Is it smooth? Coarse? Soft? Sharp? Distorted? These are decisions that cinematographers, directors, and anyone else involved in the creation of a visual language for a specific film must grapple with. Christopher Blauvelt, the acclaimed cinematographer of such films as First Cow, Emma, Meek’s Cutoff, Certain Women, The Bling Ring, and Mid90s joins us to discuss the textures that define his work and how he collaborated with directors like Kelly Reichardt, Sofia Coppola, Gus Van Sant, and Autumn De Wilde to develop these images.
Commentary 6 - STILL PROCESSING with Sophy Romvari
Commentary 5 - IN DOG YEARS with Sophy Romvari
Commentary 4 - NORMAN NORMAN with Sophy Romvari
Commentary 3 - PUMPKIN MOVIE with Sophy Romvari
Commentary 2 - IT’S HIM with Sophy Romvari
Commentary 1 - NINE BEHIND with Sophy Romvari
1-Year Anniversary Q&A [Featuring Wong Kar-wai and Snyder Cut Hot Takes]
S3E10 - Rescuing The Good, the Bad and the Ugly with Benji Heran & Jordan Krug
S3E09 - Adapting Tinker Tailor Soldier Spy with Tim Brayton
S3E08 - Colour Grading with Andrea Chlebak
S3E07 - The Bourne Series and Chaos Cinema
S3E06 - Wes Craven's Meta Horror with Mike Thorn
S3E05 - After Last Season and Outsider Art with Bram Ruiter
S3E04 - Eighth Grade and the Internet with Bronwyn Henderson and Brietta Stewart
S3e03 - Documentary Verite with Sophy Romvari
S3E02 - Narrative Verite with Whit Stillman
S3E01 - Film Preservation and Home Video with Blake Blasingame
Inter-season Special 2 - Listener Q&A
AMA Announcement - Plus HOT TAKES with Devan
S2E10 - Colour in the Films of Wong Kar-Wai
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