Henry McPherson is a musician and artist working across composition, improvisation, and pedagogical practices. His work has been shown internationally across diverse settings – from concert halls to galleries, bathrooms to dance studios, parks and warehouses to cafes, virtual halls and radio.
His current creative interests lie in the intersections of improvisation performance and ecology, which is reflected in his upcoming opera Maud, performed by Scottish Opera's Young Company at the end of July.
Track List:
Moss Gardens No. 1
Moss Gardens No. 3 - II. Slow Dance
Ear to the Ground keeps you in the loop with interviews and gig alerts from Scotland’s top-notch composers.
Hosted by Aileen Sweeney and Ben Eames.
Sound edited by Mia Eames.
Website Links:
https://www.eartothegroundscotland.com/
https://www.henrymcpherson.org.uk/
https://www.scottishopera.org.uk/
Timothy Cooper: Shadows That in Darkness Dwell
Neil Tomas Smith: Stop Motion Music
Gemma McGregor: Music and Tales from Orkney
Gareth Williams: Seduced into Singing
Fergus Hall: Hydrophones, Henderson and a Jellyfish Rave
Stuart MacRae: Ursa Minor
Rūta Vitkauskaitė: Konnakol, Canntaireach and Collaborative Composing
Janet Beat: Pioneering Knob Twiddler
Rufus Isabel Elliot: Voices, Feelings and Unspoken Words
Matthew Whiteside: On Doing It Yourself
Ailie Robertson: Revealing Hidden Sound Worlds
Darlene Zarabozo: Exploring Connection and Disconnection through Electronic Music
Alastair White: Fashion Opera
Tectonics: A Conversation with Ilan Volkov, Tania León and Olivia Furey
Lisa Robertson: "Telling It Like It Is" with Music and Nature
Art-Making in the Anthropocene
Martin Suckling: Exploring 'This Departing Landscape'
Jay Capperauld: The BBC Proms and "The Five Bs"
Ben Lunn: From Brass Bands to Spectralism and Accessible Music Technology
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