Have you washed your hands yet? Please take care of your selves and each other.
This week, we recorded remotely for the first time. After chopping it up about how COVID-19 has affected our relationships to poetry, we dive into a conversation with Paisley Rekdal from a few months ago about mythology, movement, and making difficult editorial choices.
PAISLEY REKDAL is the author of a book of essays, The Night My Mother Met Bruce Lee; the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid's The Metamorphoses, was published spring 2019. Appropriate: A Provocation, which examines cultural appropriation, is forthcoming from W.W. Norton in Feb. 2021. She is the guest editor for Best American Poetry 2020. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative's Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others. She is a Distinguished Professor at the University of Utah, where she is also the creator and editor of the community web project Mapping Salt Lake City. In May 2017, she was named Utah's Poet Laureate and received a 2019 Academy of American Poets' Poets Laureate Fellowship.
Amaud Jamaul Johnson reads Linda Gregg‘s ”The Poet Goes About Her Business”
Amaud Jamaul Johnson + Neat Glass of The Macallan Fine Whisky
Jane Wong reads Gwendolyn Brooks‘ ”when you have forgotten sunday: the love story”
Jane Wong + Wild Fire Season
Carl Phillips reads Kobayashi Issa‘s ”[The world of dew]” trans. Noyobuki Yuasa
Carl Phillips + Italian Margarita in a Silver-Rimmed Buffalo Horn Goblet
Tommye Blount reads Spencer Reece's "Interlude"
Tommye Blount + Pellegrino with Lime
Ada Limón reads Wanda Coleman's "Requiem for a Nest"
Ada Limón + January Gimlet
Season 3 - Coming Soon!
Justin Phillip Reed reads Reginald Shepherd's "Occurrences across the Chromatic Scale"
Justin Phillip Reed + Whiskey From The Bottle
Keetje Kuipers reads Eavan Boland's "Quarantine"
Keetje Kuipers + The Small Town Drag Show
Aria Aber reads Solmaz Sharif's "The Master's House"
Aria Aber + Duino Mojito
Michelle Peñaloza reads Douglas Kearney's "Tallahatchie Lullabye, Baby"
Michelle Peñaloza + Fire and Chrysanthemums
Bonus: The Craft of the Literary Podcast Interview
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It is Free
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