This is an interview with BSP Executive Member Dr Patrick O’Connor discussing Cormac McCarthy and philosophy, the upcoming workshop Patrick is hosting in association with the BSP and Nottingham Trent University on 26th July 2017 in Manchester. Information about this workshop can be found at www.britishphenomenology.org.uk
Ida Djursaa - 'Towards a Critical Phenomenology of the Erotic'
Kira Meyer - 'Ecophenomenology as a Contribution to Transformation'
Dr Ullrich Haase - ‘Is Heidegger’s Other Thinking necessarily an Ecological Thinking? Reflections on the Absence of Nature and the Destiny of Technology’
Prof. Giovanna Colombetti - ‘Varieties of incorporation: beyond the blind man’s cane’
Prof. Alia Al-Saji - 'Fanon and an Engaged Phenomenology of Affect: Touching the wounds of colonial duration'
Marieke Borren - ‘The Spatial Phenomenology of White Embodiment’
Ondra Kvapil - ‘Thought-provoking Death’
Sam McAuliffe - ‘The Improvisational Encounter: What is Common to Music and Hermeneutic-Phenomenology’
Adriano Lotito - ‘Tran Duc Thao between Phenomenology and Marxism’
Maria-Nefeli Panetsos - ‘Dancing Phenomenology: A New Source of Non-Verbal Knowledge’
Pablo Fernandez Velasco - ‘Evenki wandering and situationist wandering’
Mary Coaten - ‘Dance Movement Psychotherapy in Acute Adult Psychiatry: Psyche and Dasein’
María Jimena Clavel Vázquez - ‘Perceiving like a girl? Sensorimotor Enactivism in the face of situated embodiment’
Mary Fridley & Gwen Lowenheim presenting for Susan Massad - ‘Creating a New Performance of Dementia’
Giuseppe Torre - ‘Noise, Phenomena and the Digital Psychosis’
Joel Krueger - ‘Taking Watsuji online: aidagara and expression in the techno-social niche’
Juan Toro - ‘The Ecological-Enactive Model of Disability: Why disability does not entail pathological embodiment’
Ellen Moysan - ‘Phenomenological Description of the Notion of Inner Song: Doing Phenomenology to Understand Music Practice’
Bence Peter Marosan - ‘Engaged Eco-phenomenology. An Eco-socialist stance based upon a phenomenological account of narrative identity’
Belinda Marshal - ‘Being-in-the-Virtual-World’
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