Not in Print: playwrights off script - on inspiration, process and theatre itself
Arts:Performing Arts
An adaptation of Timothy Conigrave's landmark book that faithfully captures the fifteen-year relationship between Conigrave and the love of his life, John Caleo. Speaking across generations, sexualities and cultures, this is a heart-wrenchingly honest portrayal of what it means to grow up, how we form relationships, and why we need to love and be loved.
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Tommy Murphy is one of Australia’s most beloved playwrights. His original stories, and his adaptations, have been warmly received - both critically and commercially. The adaptation of Timothy Conigrave’s best selling book, Holding the Man, is one of Tommy’s standouts. It won several awards and was presented by some of the country’s biggest theatre companies, playing to packed houses in most Australian capital cities, and travelling overseas to New Zealand, the US and London's West End.
’Australia in 50 Plays’: In conversation with Julian Meyrick
Andrea James: on collaboration, First Nations‘ storytelling and Sunshine Super Girl
'The law of sexual assault spins on the wrong axis': Suzie Miller on her play, Prima Facie
Fangirling over FANGIRLS with Yve Blake
'Counting and Cracking': in conversation with S. Shakthidharan
'For We The Young': Finegan Kruckemeyer on writing plays for children and young people
War Crimes: How do you win the battle inside your head? l Award-winning Australian theatre
A Town Named War Boy
An Ever Changing Idiom - Alana Valentine's response to Summer of the Seventeenth Doll, by Ray Lawler
Introduction to Brumby Innes and Bid Me to Love - Ric Throssel
Norm & Ahmed: Race prejudice is a profoundly irrational force l Australian theatre classics
Wary Asians on a Theme: Dramatising in the Near North l Australian theatre in Asia
Hoods: Who is responsible for childrens' welfare? l Award-winning Australian theatre
Stories of Love and Hate: When do they collide? l Headphone verbatim theatre
On Dramaturgy and Emerging Artists l Advice for up and coming playwrights
Halal-el-Mashakel: "Asylum seekers are just like you and me" l Refugee theatre
Emerald City: Fame and greed in the merry old land of Aus l Classic Australian theatre
The Secret River: Our history is contested space l Classic Australian theatre
Brothers Wreck: How many people does it take for us to live? l Award-winning Australian theatre
Shafana & Aunt Sarrinah: What do you do when you disagree with someone you love? l Provocative Australian theatre
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