Not in Print: playwrights off script - on inspiration, process and theatre itself
Arts:Performing Arts
Erin Dewar reads Vera Rado’s introduction to The Shoe-horn Sonata. Rado was one of the many prisoners of war John Misto interviewed when conducting his research for the play. She endured three years in captivity and was moved to tears when she saw John’s play, because her story was finally being recognised.
’Australia in 50 Plays’: In conversation with Julian Meyrick
Andrea James: on collaboration, First Nations‘ storytelling and Sunshine Super Girl
'The law of sexual assault spins on the wrong axis': Suzie Miller on her play, Prima Facie
Fangirling over FANGIRLS with Yve Blake
'Counting and Cracking': in conversation with S. Shakthidharan
'For We The Young': Finegan Kruckemeyer on writing plays for children and young people
War Crimes: How do you win the battle inside your head? l Award-winning Australian theatre
A Town Named War Boy
An Ever Changing Idiom - Alana Valentine's response to Summer of the Seventeenth Doll, by Ray Lawler
Introduction to Brumby Innes and Bid Me to Love - Ric Throssel
Norm & Ahmed: Race prejudice is a profoundly irrational force l Australian theatre classics
Wary Asians on a Theme: Dramatising in the Near North l Australian theatre in Asia
Hoods: Who is responsible for childrens' welfare? l Award-winning Australian theatre
Stories of Love and Hate: When do they collide? l Headphone verbatim theatre
On Dramaturgy and Emerging Artists l Advice for up and coming playwrights
Halal-el-Mashakel: "Asylum seekers are just like you and me" l Refugee theatre
Emerald City: Fame and greed in the merry old land of Aus l Classic Australian theatre
The Secret River: Our history is contested space l Classic Australian theatre
Brothers Wreck: How many people does it take for us to live? l Award-winning Australian theatre
Shafana & Aunt Sarrinah: What do you do when you disagree with someone you love? l Provocative Australian theatre
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