This week we wander through The Waste Land by T. S. Eliot. Written in the aftermath of the Great War, this long poem uses a diverse array of voices to convey a sense of disillusionment with modern life. Those voices range from the parodic to the sacred, as the poem interweaves hundreds of allusions to mythology, major world religions, literary classics, dance hall tunes, a nursery rhyme, and conversations from daily English life. So we discuss what to make of so many fragmentary images and sounds, while also asking how they reflect a postwar moment of dramatic historical and cultural change.
Two specialists, both of whom are poets and literary scholars, offer wonderful contributions to this episode. An interview with Gabrielle McIntire, who is Professor of English at Queen's University in Canada and editor of The Cambridge Companion to The Waste Land, orients our conversation about this poem. And notably, her own debut poetry collection, Unbound, comes out next month. Later we have a more free-wheeling chat about Eliot and his impact with Hannah Sullivan, who is a Tutor in English at New College, Oxford, and whose debut collection Three Poems was awarded the T. S. Eliot Prize in 2018.
**WE NEED YOUR HELP! Send us a short audio recording of your answer to the question "What makes a book of the century?" and you might be featured on the final episode of the season!**
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Episode 15: Books of the Century Season Finale
Episode 13: The Turn of the Screw by Henry James
Episode 12: Wide Sargasso Sea by Jean Rhys
Episode 11: The Bride Price by Buchi Emecheta
Episode 10: Things Fall Apart by Chinua Achebe
Episode 9: The Golden Notebook by Doris Lessing
Episode 8: Requiem by Anna Akhmatova
Episode 7: One Hundred Years of Solitude by Gabriel García Márquez
Episode 6: To the Lighthouse by Virginia Woolf
Episode 5: The Wild Swans at Coole by W. B. Yeats
Episode 4: The Metamorphosis by Franz Kafka
Episode 3: On the Road by Jack Kerouac
Episode 2: Ficciones by Jorge Luis Borges
Episode 1: Song of Solomon by Toni Morrison
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