This year’s Austin Film Festival may have been held virtually, but the screenwriting competition was a strong as ever and brought our attention to some great writers. Edward Drake, whose latest project ‘The Young Woman’ won the Dramatic Screenplay category, calls in to talk to William about how he first heard about the true story the script is based on, his approach to writing and filmmaking, and he thoughts on getting things made following all of the necessary adaptations the film industry has had to implement due to the pandemic.
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Eye in the Sky (2015) - with Guy Hibbert
The Village - Writers' Workshop
Sully (2016) — with Todd Komarnicki
1917 - Writers' Workshop
Oscars 2021: The Father, Promising Young Woman and all of the Screenwriting Nominees
Locke (2013) - Screenplay by Steven Knight
A.I. Artificial Intelligence (2001) - Screenplay by Steven Spielberg
Ad Astra (2019) with Zosha Millman - Screenplay by James Gray and Ethan Gross
The Rider (2017) with Kira-Anne Pelican - Screenplay by Chloé Zhao
The Sense of an Ending (2017) with Alistair Owen - Screenplay by Nick Payne
Beats (2019) with Kieran Hurley - Screenplay by Kieran Hurley
Alpha (2018) with Christine Schreyer and Dan Wiedenhaupt - Screenplay by Dan Wiedenhaupt
There Will Be Blood (2007) with Ralph Leonard - Screenplay by Paul Thomas Anderson
Hotel Mumbai (2018) with John Collee - Screenplay by John Collee and Anthony Maras
The 21st Recap (Season Two) - Year-In-Review and Awards
Three Billboards Outside Ebbing, Missouri (2017) - Screenplay by Martin McDonagh
Children of Men (2006) - Screenplay by Alfonso Cuarón, Timothy J Sexton, David Arata, Mark Fergus & Hawk Ostby - Writing a Movie - Review
Black Swan (2010) - Screenplay by Mark Heyman, Andres Heinz and John McLaughlin - Writing a Movie - Review
Master and Commander: The Far Side of the World (2003) with Everett Rummage - Screenplay by John Collee - Writing a Movie - Review
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